Giacomo Lauro (1550–1630) – Topographical View of the Palatine Hill and Gardens in Rome – Copper engraving (1620)

Giacomo Lauro (1550–1630) – Palace and Gardens of the Quirinal Hill in Rome – Copper engraving (1620)

Sebastian Münster (1488–1552) – Bird’s-Eye View of Decemburg (from Das Geschütz Buch) – Woodcut (1550)

Sebastian Münster (1488–1552) – Bird’s-Eye View of the City of Basle – Woodcut (1550)

Sebastian Münster (1488–1552) – Bird’s-Eye View of the City of Prague – Woodcut (1574)

Sebastian Münster (1488–1552) – Bird’s-Eye View of Dubas (Dubrovnik) – Woodcut (1550)

Sebastian Münster (1488–1552) – View of the Fortress of Tokay (Tokaj) in Hungary – Woodcut (1566)

Sebastian Münster (1488–1552) – View of the Fortress of Griechisch Wessenburg (Belgrade) – Woodcut (1550)

Sebastian Münster (1488–1552) – View of the Fortress of Bacza in Hungary – Woodcut (1550)

Sebastian Münster (1488–1552) – Illustration of Northern European Wildlife and Heraldry – Woodcut (1550)

Sebastian Münster (1488–1552) – Monstrous Figure of Poland – Woodcut (1550)

Sebastian Münster (1488–1552) – Map of Cilicia, Cyprus, and Asia Minor – Woodcut (1550)

Sebastiano Serlio (1475–1554) - Design for a Roman Triumphal Arch - Woodcut (16th Century)

Sebastiano Serlio (1475–1554) - Study of the Pyramid and Antiquities - Woodcut (16th Century)

Sebastiano Serlio (1475–1554) - Facade Design for a Renaissance Palace - Woodcut (16th Century)

Sebastiano Serlio (1475–1554) - Design for a Complex Roman Portal Structure - Woodcut (16th Century)

Sebastiano Serlio (1475–1554) - Details of the Composite Order Capital - Woodcut (16th Century)

Sebastiano Serlio (1475–1554) - Study of Composite Order Columns and Masonry - Woodcut (16th Century)

Sebastiano Serlio (1475–1554) - Elevation Design for a Composite Archway - Woodcut (16th Century)

Jacob Cats (1577–1660) – Emblematic Illustration: The Autumn of the Beautiful – Copper engraving (1650)

Jacob Cats (1577–1660) – Emblematic Illustration: The Mother – Letterpress text with copper engraving (1650)

Jacob Cats (1577–1660) – Emblematic Illustration: Temptation in Old Age – Letterpress text with copper engraving (1650)

Jacob Cats (1577–1660) – Emblematic Illustration: Old Age – Letterpress text with copper engraving (1650)

Jacob Cats (1577–1660) – Emblematic Illustration: The Widow – Letterpress text with copper engraving (1650)

Jacob Cats (1577–1660) – Emblematic Illustration: Dissensions of Spouses, Stepchildren – Copper engraving (1650)

Jacob Cats (1577–1660) – Emblematic Illustration: Ill-Joined Things Fail – Copper engraving (1650)

Jacob Cats (1577–1660) – Emblematic Illustration: Let All Force Be Absent – Copper engraving (1650)

Giovanni Domenico Cassini (1625–1712) - View of the Porto di Ripetta, Rome - Copperplate Engraving (Mid-18th Century)

Giovanni Domenico Cassini (1625–1712) - View of the Arch of Constantine the Great - Copperplate Engraving (Mid-18th Century)

Giovanni Domenico Cassini (1625–1712) - View of the Piazza del Popolo, Rome - Copperplate Engraving (Late 18th Century)

Giovanni Domenico Cassini (1625–1712) - View of the Porta del Popolo, Rome - Copperplate Engraving (Mid-18th Century)

Jan Goeree (1670–1731) - View of the Column of Marcus Antoninus, Rome - Copperplate Engraving (Early 18th Century)

Jan Goeree (1670–1731) - Studies of Classical Relief Carvings and Monuments - Copperplate Engraving (Early 18th Century)

Jan Goeree (1670–1731) - The Arch of Constantine the Great, Rome (Frontispiece) - Copperplate Engraving (Early 18th Century)

Jan Goeree (1670–1731) - Studies of Pyramids and Classical Antiquities - Copperplate Engraving (Early 18th Century)

Bernard de Montfaucon (1655–1741) - Studies of Ancient Egyptian Deities and Statuary - Copperplate Engraving (Early 18th Century)

Bernard de Montfaucon (1655–1741) - Studies of Mythological Sphinx and Classical Figures - Copperplate Engraving (Early 18th Century)

Bernard de Montfaucon (1655–1741) - Studies of Ancient Egyptian Canopic Jars - Copperplate Engraving (Early 18th Century)

Bernard de Montfaucon (1655–1741) - Studies of Abraxas and Gnostic Engraved Gems - Copperplate Engraving (Early 18th Century)

Bernard de Montfaucon (1655–1741) - Studies of Inscribed Gnostic Amulets and Gems - Copperplate Engraving (Early 18th Century)

Bernard de Montfaucon (1655–1741) – Gaulish Gods – Copper engraving (1719)

Joseph Beunat (19th century) - Designs for Neoclassical Consoles and Friezes - Copperplate Engraving (Early 19th Century)

Joseph Beunat (19th century) - Designs for Classical Cornice Moldings - Copperplate Engraving (Early 19th Century)

Joseph Beunat (19th century) - Designs for Neoclassical Friezes with Figures and Urns - Copperplate Engraving (Early 19th Century)

Joseph Beunat (19th century) - Frieze Designs with Mythological and Pastoral Figures - Copperplate Engraving (Early 19th Century)

Joseph Beunat (19th century) - Designs for Radial and Circular Ornamentation (Ceiling Roses) - Copperplate Engraving (Early 19th Century)

Joseph Beunat (19th century) - Designs for Ornamental Door and Window Frames - Copperplate Engraving (Early 19th Century)

Giovanni Battista Piranesi (1720–1778) – Base of the Column of Antoninus Pius in Rome – Etching (1750)