Sebastian Münster (1488–1552) – Illustrations of Serpents (Dragons) and a Mythical Beast from the Cosmographia – Woodcut (c. 1550)

Sebastian Münster (1488–1552) – Map of Rhodes, the Island and Capital Therein from the Cosmographia – Woodcut (c. 1550)

Sebastian Münster (1488–1552) – Map of the Fortified City of Tripoli (Syria) from the Cosmographia – Woodcut (c. 1550)

Sebastian Münster (1488–1552) – Map of the Island and Kingdom of Cyprus from the Cosmographia – Woodcut (c. 1550)

Sebastian Münster (1488–1552) – Map of the Caucasus Region and Tartaria from the Cosmographia – Woodcut (c. 1550)

Jacob Cats (1577–1660) – Emblem of the Salamander: All Who Envy, Remain Free of Trouble – Engraving (c. 1620)

Jacob Cats (1577–1660) – Emblem on Madness and Fury: What Good Does It Do to Wash the Furious One? – Engraving (c. 1620)

Jacob Cats (1577–1660) – Emblem of the Crocodile: He Knows Not How to Have Restraint – Engraving (c. 1620)

Jacob Cats (1577–1660) – Emblem of Discord: That Which is Unequal is in Discord – Engraving (c. 1620)

Jacob Cats (1577–1660) – Emblem of the Palm Trees: Live in Harmony – Engraving (c. 1620)

Jacob Cats (1577–1660) – Emblem of the Compass/Magnet: Nothing Divides the Spirits – Engraving (c. 1620)

Sebastiano Serlio (1475–1554) – Rustic Doorway from The Five Books of Architecture – Woodcut (1545)

Sebastiano Serlio (1475–1554) – Decorative Panels for the Composite Order from The Five Books of Architecture – Woodcut (1545)

Sebastiano Serlio (1475–1554) – Elaborate Architectural Pedestal from The Five Books of Architecture – Woodcut (1545)

Sebastiano Serlio (1475–1554) – Three-Story Classical Palazzo Elevation from The Five Books of Architecture – Woodcut (1545)

Sebastiano Serlio (1475–1554) – Two-Story Classical Façade from The Five Books of Architecture – Woodcut (1545)

Sebastiano Serlio (1475–1554) – Rustic Arched Portal from The Five Books of Architecture – Woodcut (1545)

Giacomo Barozzi da Vignola (1507–1573) – Measured Elevation of a Composite Order Portico with Pedestal – Copperplate engraving (c. 1750)

Giacomo Barozzi da Vignola (1507–1573) – Measured Elevation of the Principal Doorway of the Capitol, Rome – Copperplate engraving (c. 1750)

Giacomo Barozzi da Vignola (1507–1573) – Measured Elevation of the Doorway of San Lorenzo in Damaso, Rome – Copperplate engraving (c. 1750)

Giacomo Barozzi da Vignola (1507–1573) – Technical Diagram of Classical Architectural Moldings – Copperplate engraving (c. 1750)

Giacomo Barozzi da Vignola (1507–1573) – Elevation of the Entrance Gate of the Villa Farnese at Caprarola – Copperplate engraving (c. 1750)

Giacomo Barozzi da Vignola (1507–1573), after – Elevation of the Gate of the Hôtel de Vilars – Copperplate engraving (c. 1750)

Giovanni Battista de Cavalieri (1526–1597) – Flora in the Farnese Palace Collection – Engraving (Late 16th Century)

Giovanni Battista de Cavalieri (1526–1597) – Diana in the Farnese Collection – Engraving (Late 16th Century)

Giovanni Battista de Cavalieri (1526–1597) – Apollo in the Medici Garden Collection – Engraving (Late 16th Century)

Giovanni Battista de Cavalieri (1526–1597) – Apollo Belvedere Sculpture – Engraving (Late 16th Century)

Bernard de Montfaucon (1655–1741) – Atlas Statue and Ancient Roman Oil Lamps from Antiquity Explained – Engraving (c. 1722)

Bernard de Montfaucon (1655–1741) – Elaborate Lamp with Satyr Supports and Relief Lamp from Antiquity Explained – Engraving (c. 1722)

Bernard de Montfaucon (1655–1741) – Grotesque and Figural Ancient Roman Oil Lamps from Antiquity Explained – Engraving (c. 1722)

Bernard de Montfaucon (1655–1741) – Satyr Figure Lamp and Grotesque Mask from Antiquity Explained – Engraving (c. 1722)

Bernard de Montfaucon (1655–1741) – Figural Ancient Roman Oil Lamps from Antiquity Explained – Engraving (c. 1722)

Bernard de Montfaucon (1655–1741) – Figural Support and Ornate Relief Oil Lamp from Antiquity Explained – Engraving (c. 1722)

Giacomo Lauro (fl. 1600–1645) – The Roman College of the Society of Jesus – Copperplate engraving (Early 17th Century)

Giacomo Lauro (fl. 1600–1645) – Castel Sant'Angelo (The Mausoleum of Hadrian) – Copperplate engraving (Early 17th Century)

Giacomo Lauro (fl. 1600–1645) – Basilica of St. Paul Outside the Walls – Copperplate engraving (Early 17th Century)

Giacomo Lauro (fl. 1600–1645) – Map of Rome: Remains of the Baths of Diocletian and Church of St. Mary of the Angels – Copperplate engraving (Early 17th Century)

Giuseppe Vasi (1710–1782) – View of the Porta San Sebastiano – Copperplate engraving (18th Century)

Giuseppe Vasi (1710–1782) – View of the Porta Pertusa – Copperplate engraving (18th Century)

Giuseppe Vasi (1710–1782) – View of the Porta Angelica – Copperplate engraving (18th Century)

Giuseppe Vasi (1710–1782) – View of the Porta Fabbrica – Copperplate engraving (18th Century)

Joseph Beunat (1771–c. 1827) – Ornamental Frieze and Border Designs from Architectural Ornaments – Engraving (c. 1813)

Joseph Beunat (1771–c. 1827) – Designs for Ornate Column Capitals from Architectural Ornaments – Engraving (c. 1813)

Joseph Beunat (1771–c. 1827) – Designs for Architectural Moldings and Friezes from Architectural Ornaments – Engraving (c. 1813)

Joseph Beunat (1771–c. 1827) – Designs for Ornamental Masks and Lion Heads from Architectural Ornaments – Engraving (c. 1813)

Joseph Beunat (1771–c. 1827) – Designs for Classical Urns, Vases, and Figural Motifs from Architectural Ornaments – Engraving (c. 1813)

Joseph Beunat (1771–c. 1827) – Design for an Ornate Pedestal (Pieds) from Architectural Ornaments – Engraving (c. 1813)

François Jacques Deseine (1768–1837) – Design for an Ornate Pedestal (Pieds) from Architectural Ornaments – Engraving (c. 1813)