Desprez de Saint-Savin (fl. 1735), after – Military Illustration of a Siege and Surrender – Copperplate engraving (c. 1770)

Desprez de Saint-Savin (fl. 1735), after – Illustration of a Fortified Gunpowder Factory – Copperplate engraving (c. 1770)

Desprez de Saint-Savin (fl. 1735), after – Military Illustration of Marching Formations – Copperplate engraving (c. 1770)

Jan Goeree (1670–1731) – Various Roman Military Siege Tactics and Machines – Engraving (c. 1720)

Jan Goeree (1670–1731) – Scenes of Ancient Combat: Postulatich and Catervarii – Engraving (c. 1720)

Jan van der Straet (1523–1605) – Mourning Figures at the Tomb of Christ (Lamentation) – Copperplate engraving (c. 1585)

Jan van der Straet (1523–1605) – The Entombment of Christ – Copperplate engraving (c. 1585)

Jan van der Straet (1523–1605) – The Anointing of Christ's Body (Lamentation) – Copperplate engraving (c. 1585)

Jan van der Straet (1523–1605) – The Descent from the Cross (Deposition) – Copperplate engraving (c. 1585)

Correggio (c. 1489–1534), after – The Nymph Antiope – Engraving (c. 1780)

Giovanni Benedetto Castiglione (1609–1664) – Shepherds Driving a Herd of Cattle and Sheep – Etching (Mid-17th Century)

Jean-Baptiste Massé (1687–1767) – Henry IV Deliberates on His Future Marriage – Engraving (18th Century)

François de Troy (1645–1730), after – Esther Crowned by Assuerus – Engraving (c. 1760)

Hendrick Goltzius (1558–1617) – Bacchus with a Young Attendant in an Ornamental Frame – Engraving (Late 16th Century)

Sebastian Münster (1488–1552) – Set of Three: Illustrations of Elephants and an Emblematic Crest from the Cosmographia – Woodcut (c. 1550)

Sebastian Münster (1488–1552) – Illustration of a Panther from the Cosmographia – Woodcut (c. 1550)

Sebastian Münster (1488–1552) – Illustrations of Ancient Soldiers and Ceremonial Vessels from the Cosmographia – Woodcut (c. 1550)

Sebastian Münster (1488–1552) – Set of Two: Illustrations of the Customs and Peoples of India from the Cosmographia – Woodcut (c. 1550)

Sebastian Münster (1488–1552) – Map of Rhodes, the Island and Capital Therein from the Cosmographia – Woodcut (c. 1550)

Sebastian Münster (1488–1552) – Map of the Island and Kingdom of Cyprus from the Cosmographia – Woodcut (c. 1550)

Sebastian Münster (1488–1552) – Map of the Caucasus Region and Tartaria from the Cosmographia – Woodcut (c. 1550)

Jacob Cats (1577–1660) – Emblem on Madness and Fury: What Good Does It Do to Wash the Furious One? – Engraving (c. 1620)

Jacob Cats (1577–1660) – Emblem of Discord: That Which is Unequal is in Discord – Engraving (c. 1620)

Jacob Cats (1577–1660) – Emblem of the Compass/Magnet: Nothing Divides the Spirits – Engraving (c. 1620)

Sebastiano Serlio (1475–1554) – Decorative Panels for the Composite Order from The Five Books of Architecture – Woodcut (1545)

Sebastiano Serlio (1475–1554) – Three-Story Classical Palazzo Elevation from The Five Books of Architecture – Woodcut (1545)

Sebastiano Serlio (1475–1554) – Rustic Arched Portal from The Five Books of Architecture – Woodcut (1545)

Giacomo Barozzi da Vignola (1507–1573) – Measured Elevation of the Principal Doorway of the Capitol, Rome – Copperplate engraving (c. 1750)

Giacomo Barozzi da Vignola (1507–1573) – Technical Diagram of Classical Architectural Moldings – Copperplate engraving (c. 1750)

Giacomo Barozzi da Vignola (1507–1573), after – Elevation of the Gate of the Hôtel de Vilars – Copperplate engraving (c. 1750)

Giovanni Battista de Cavalieri (1526–1597) – Flora in the Farnese Palace Collection – Engraving (Late 16th Century)

Giovanni Battista de Cavalieri (1526–1597) – Apollo in the Medici Garden Collection – Engraving (Late 16th Century)

Bernard de Montfaucon (1655–1741) – Atlas Statue and Ancient Roman Oil Lamps from Antiquity Explained – Engraving (c. 1722)

Bernard de Montfaucon (1655–1741) – Grotesque and Figural Ancient Roman Oil Lamps from Antiquity Explained – Engraving (c. 1722)

Bernard de Montfaucon (1655–1741) – Figural Ancient Roman Oil Lamps from Antiquity Explained – Engraving (c. 1722)

Giacomo Lauro (fl. 1600–1645) – The Roman College of the Society of Jesus – Copperplate engraving (Early 17th Century)

Giacomo Lauro (fl. 1600–1645) – Castel Sant'Angelo (The Mausoleum of Hadrian) – Copperplate engraving (Early 17th Century)

Giacomo Lauro (fl. 1600–1645) – Basilica of St. Paul Outside the Walls – Copperplate engraving (Early 17th Century)

Giacomo Lauro (fl. 1600–1645) – Map of Rome: Remains of the Baths of Diocletian and Church of St. Mary of the Angels – Copperplate engraving (Early 17th Century)

Giuseppe Vasi (1710–1782) – View of the Porta San Sebastiano – Copperplate engraving (18th Century)

Giuseppe Vasi (1710–1782) – View of the Porta Angelica – Copperplate engraving (18th Century)

Joseph Beunat (1771–c. 1827) – Ornamental Frieze and Border Designs from Architectural Ornaments – Engraving (c. 1813)

Joseph Beunat (1771–c. 1827) – Designs for Architectural Moldings and Friezes from Architectural Ornaments – Engraving (c. 1813)

Joseph Beunat (1771–c. 1827) – Designs for Classical Urns, Vases, and Figural Motifs from Architectural Ornaments – Engraving (c. 1813)

François Jacques Deseine (1768–1837) – Design for an Ornate Pedestal (Pieds) from Architectural Ornaments – Engraving (c. 1813)

François Jacques Deseine (1768–1837) – View of the Roman Amphitheater (Colosseum) during a Hunting Spectacle – Engraving (19th Century)

Giovanni Battista Piranesi (1720–1778) – Collection of Ancient Vases and Ornamental Fragments – Etching (Mid-18th Century)

Francesco Piranesi (1758–1810) – View of the Island of the Monks, or a Large Part of the Ancient Casino of Pope Julius – Etching (Late 18th Century)