Desprez de Saint-Savin (fl. 1735), after – Military Illustration of a Siege and Surrender – Copperplate engraving (c. 1770)

Desprez de Saint-Savin (fl. 1735), after – Illustration of a Fortified Gunpowder Factory – Copperplate engraving (c. 1770)

Desprez de Saint-Savin (fl. 1735), after – Military Illustration of Marching Formations – Copperplate engraving (c. 1770)

Desprez de Saint-Savin (fl. 1735), after – Military Illustration of the Storming of a Fortress – Copperplate engraving (c. 1770)

Desprez de Saint-Savin (fl. 1735), after – Military Plan of a Line of Circumvallation – Copperplate engraving (c. 1770)

Desprez de Saint-Savin (fl. 1735), after – Military Illustration of the Investment of a Fortress – Copperplate engraving (c. 1770)

Jan Goeree (1670–1731) – Scenes of Classical Military Training and Pastoral Life – Engraving (c. 1720)

Jan Goeree (1670–1731) – Various Roman Military Siege Tactics and Machines – Engraving (c. 1720)

Jan Goeree (1670–1731) – Scenes of Duels: Women and Dwarves in Combat from Antiquities – Engraving (c. 1720)

Jan Goeree (1670–1731) – Scenes of Ancient Combat: Postulatich and Catervarii – Engraving (c. 1720)

Jan van der Straet (1523–1605) – Mourning Figures at the Tomb of Christ (Lamentation) – Copperplate engraving (c. 1585)

Jan van der Straet (1523–1605) – The Entombment of Christ – Copperplate engraving (c. 1585)

Jan van der Straet (1523–1605) – The Anointing of Christ's Body (Lamentation) – Copperplate engraving (c. 1585)

Jan van der Straet (1523–1605) – The Descent from the Cross (Deposition) – Copperplate engraving (c. 1585)

Correggio (c. 1489–1534), after – The Nymph Antiope – Engraving (c. 1780)

Giovanni Benedetto Castiglione (1609–1664) – Shepherds Driving a Herd of Cattle and Sheep – Etching (Mid-17th Century)

Jean-Baptiste Massé (1687–1767) – Henry IV Deliberates on His Future Marriage – Engraving (18th Century)

François de Troy (1645–1730), after – Esther Crowned by Assuerus – Engraving (c. 1760)

Hendrick Goltzius (1558–1617) – Bacchus with a Young Attendant in an Ornamental Frame – Engraving (Late 16th Century)

Sebastian Münster (1488–1552) – Set of Three: Illustrations of Elephants and an Emblematic Crest from the Cosmographia – Woodcut (c. 1550)

Sebastian Münster (1488–1552) – Illustration of a Panther from the Cosmographia – Woodcut (c. 1550)

Sebastian Münster (1488–1552) – Illustrations of Ancient Soldiers and Ceremonial Vessels from the Cosmographia – Woodcut (c. 1550)

Sebastian Münster (1488–1552) – Illustration of Fighting Scorpions and Serpents (Dragons) from the Cosmographia – Woodcut (c. 1550)

Sebastian Münster (1488–1552) – Set of Two: Illustrations of the Customs and Peoples of India from the Cosmographia – Woodcut (c. 1550)

Sebastian Münster (1488–1552) – Illustrations of Serpents (Dragons) and a Mythical Beast from the Cosmographia – Woodcut (c. 1550)

Sebastian Münster (1488–1552) – Map of Rhodes, the Island and Capital Therein from the Cosmographia – Woodcut (c. 1550)

Sebastian Münster (1488–1552) – Map of the Fortified City of Tripoli (Syria) from the Cosmographia – Woodcut (c. 1550)

Sebastian Münster (1488–1552) – Map of the Island and Kingdom of Cyprus from the Cosmographia – Woodcut (c. 1550)

Sebastian Münster (1488–1552) – Map of the Caucasus Region and Tartaria from the Cosmographia – Woodcut (c. 1550)

Jacob Cats (1577–1660) – Emblem of the Salamander: All Who Envy, Remain Free of Trouble – Engraving (c. 1620)

Jacob Cats (1577–1660) – Emblem on Madness and Fury: What Good Does It Do to Wash the Furious One? – Engraving (c. 1620)

Jacob Cats (1577–1660) – Emblem of the Crocodile: He Knows Not How to Have Restraint – Engraving (c. 1620)

Jacob Cats (1577–1660) – Emblem of Discord: That Which is Unequal is in Discord – Engraving (c. 1620)

Jacob Cats (1577–1660) – Emblem of the Palm Trees: Live in Harmony – Engraving (c. 1620)

Jacob Cats (1577–1660) – Emblem of the Compass/Magnet: Nothing Divides the Spirits – Engraving (c. 1620)

Sebastiano Serlio (1475–1554) – Rustic Doorway from The Five Books of Architecture – Woodcut (1545)

Sebastiano Serlio (1475–1554) – Decorative Panels for the Composite Order from The Five Books of Architecture – Woodcut (1545)

Sebastiano Serlio (1475–1554) – Elaborate Architectural Pedestal from The Five Books of Architecture – Woodcut (1545)

Sebastiano Serlio (1475–1554) – Three-Story Classical Palazzo Elevation from The Five Books of Architecture – Woodcut (1545)

Sebastiano Serlio (1475–1554) – Two-Story Classical Façade from The Five Books of Architecture – Woodcut (1545)

Sebastiano Serlio (1475–1554) – Rustic Arched Portal from The Five Books of Architecture – Woodcut (1545)

Giacomo Barozzi da Vignola (1507–1573) – Measured Elevation of a Composite Order Portico with Pedestal – Copperplate engraving (c. 1750)

Giacomo Barozzi da Vignola (1507–1573) – Measured Elevation of the Principal Doorway of the Capitol, Rome – Copperplate engraving (c. 1750)

Giacomo Barozzi da Vignola (1507–1573) – Measured Elevation of the Doorway of San Lorenzo in Damaso, Rome – Copperplate engraving (c. 1750)

Giacomo Barozzi da Vignola (1507–1573) – Technical Diagram of Classical Architectural Moldings – Copperplate engraving (c. 1750)

Giacomo Barozzi da Vignola (1507–1573) – Elevation of the Entrance Gate of the Villa Farnese at Caprarola – Copperplate engraving (c. 1750)

Giacomo Barozzi da Vignola (1507–1573), after – Elevation of the Gate of the Hôtel de Vilars – Copperplate engraving (c. 1750)

Giovanni Battista de Cavalieri (1526–1597) – Flora in the Farnese Palace Collection – Engraving (Late 16th Century)