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Fine Art. Antique Prints, Maps and Drawings / 25-10-2025, 18:00 CET

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8426c_8de0d94ae8e89d2

This detailed engraving depicts the scene of the English anchorite, Saint Guthlac receiving divine assurance in his hermitage at Crowland in the English Fens. The composition shows the saint, dressed in a simple tunic, kneeling in prayer outside his cell, surrounded by a dense, wild landscape. A magnificent angel stands before him, offering comfort and support. The scene also includes several wild animals, often symbolizing the pacification of nature or the temptations overcome by the saint. The Latin inscription identifies the subject and describes the divine honor being bestowed. This print is from a series on the lives of saints or holy hermits. Jan van der Straet (Stradanus) was a Netherlandish painter and designer who was a major figure in the Florentine Mannerist school. Though he worked primarily in Italy for the Medici court, his designs were widely circulated through printmaking. His drawings were frequently engraved and published by the leading Antwerp printmaker and entrepreneur Philips Galle, who produced vast print series on historical, mythological, and religious subjects. Artist or Maker: Jan van der Straet (Designer) / Philips Galle (Publisher) Dimensions: Approximately 26 × 33 cm Medium: Engraving Date: Circa 1580–1605 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Jan van der Straet (1523–1605) – Saint Guthlac in the Wilderness (Guthlacum) – Engraving (Circa 1580–1605)

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8446c_8de0da1d66540e9

This print is a folio page from a German edition of the monumental geographical treatise, the Cosmographia. The main feature is a highly detailed woodcut military plan showing the fortifications and siege of the city of Metz, France. The plan presents a bird's-eye view of the city's strong, rectangular fortifications, surrounded by siege works, troops, and artillery positions, with a river running along the outer defenses. A comprehensive key below the map identifies important locations, siege engines, and military positions using German letterpress and corresponding markers on the illustration. Sebastian Münster was a German cartographer, cosmographer, and professor at the University of Basel. His magnum opus, the Cosmographia (first published 1544), was the first comprehensive, richly illustrated geographical work in the German language. It became one of the most successful and widely reprinted books of the 16th century, documenting the cities, maps, customs, and political status of the world, often including contemporary military events such as sieges. Artist or Maker: Sebastian Münster Dimensions: Approximately 33 × 20 cm Medium: Woodcut with letterpress text on laid paper Date: Circa 1544–1592 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Sebastian Münster (1488–1552) – Veiw of the Metz, France (Der Statt des Cirkel Dauern und Vercen) – Woodcut with Letterpress Text (Circa 1544–1592)

8441c_8de0da187dfc852

This print is a folio page from a German edition of the monumental geographical treatise, the Cosmographia, bearing the running title Vondem Teuſchen Lande (About the German Land). The main feature is a highly detailed woodcut city plan of Antwerp, Belgium. The illustration, titled Beſchreibung der Statt Anwerff, depicts the city in an elevated, bird’s-eye perspective, showcasing its extensive fortifications, the docks and harbor on the river (the Scheldt), and the tightly organized network of streets and buildings. The accompanying German text provides a historical and geographical account of Antwerp, one of the most important trading cities of the 16th century. Sebastian Münster was a German cartographer, cosmographer, and professor at the University of Basel. His magnum opus, the Cosmographia (first published 1544), was the first comprehensive, richly illustrated geographical work in the German language. It became one of the most successful and widely reprinted books of the 16th century, documenting the cities, maps, customs, and political status of the world. Artist or Maker: Sebastian Münster Dimensions: Approximately 33 × 20 cm Medium: Woodcut with letterpress text on laid paper Date: Circa 1544–1568 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Sebastian Münster (1488–1552) – View of the City of Antwerp (Beſchreibung der Statt Anwerff) – Woodcut with Letterpress Text (Circa 1544–1568)

8436c_8de0da13f44eec0

This print is a folio page from a German edition of the monumental geographical treatise, the Cosmographia. The page features two German-language descriptions, with the overarching subject being the southeastern European territories. The central woodcut is a regional map focusing on Transylvania (Siebenbürgen), Wallachia, Bulgaria, and Macedonia, showing the Danube River and the western shore of the Black Sea (Pontus). The map details the geographical and political situation of these lands, which were of strategic importance during the 16th century. The text above the map provides a separate chapter, Cap. lxvj, focusing on the Wallachians and their customs. Sebastian Münster was a German cartographer, cosmographer, and professor at the University of Basel. His major work, the Cosmographia (first published 1544), was one of the most successful and widely reprinted geographical books of the 16th century. It utilized thousands of woodcuts to illustrate the cities, maps, customs, and natural history of the world. Artist or Maker: Sebastian Münster Dimensions: Approximately 33 × 20 cm Medium: Woodcut with letterpress text on laid paper Date: Circa 1544–1568 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Sebastian Münster (1488–1552) – View of Transylvania, Wallachia, and Bulgaria (Von Tranſsiluania, Siebenbürgen) – Woodcut with Letterpress Text (Circa 1544–1568)

8416c_8de0d941cf6da8c

This print is an allegorical emblem from the moralistic works of Jacob Cats, bearing the Latin motto NESCIT HABERE MODUM (It Knows No Bounds or Measure). The circular pictorial section depicts a powerful allegory of destructive greed or insatiable ambition: the figure of a skeleton (Death) is shown riding on the back of a large, crocodile-like creature. This central image is a visual metaphor for the relentless, uncontrolled nature of avarice, which grows continuously until death, represented by the crocodile's reputed characteristic of growing as long as it lives. The text below, divided into MORALE and SACRVM, provides philosophical and sacred interpretations of this cautionary moral lesson. Jacob Cats was a highly celebrated Dutch poet, humorist, jurist, and statesman of the Dutch Golden Age, often affectionately known as "Father Cats." He is most famous for his immensely popular emblem books, such as Silenus Alcibiadis, sive Proteus (1618) and Sinne- en Minne-beelden (1627), which presented moral and religious teachings through simple verses and evocative, often highly imaginative, allegorical illustrations. His work was published in numerous languages (Dutch, Latin, French, English) and was a staple in many Dutch households for centuries. Artist or Maker: Jacob Cats Dimensions: Approximately 26 × 19 cm Medium: Engraving with letterpress text on laid paper Date: Circa 1618–1658 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Jacob Cats (1577–1660) – Emblem: "It Knows No Bounds" (Nescit Habere Modum) – Engraving (Circa 1618–1658)

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This engraving depicts a grand Sanctuary of Our Lord Jesus Christ (Sacrarium D. N. Iesu Christi), presented as a circular, domed classical temple with a Latin inscription above the entrance translating to "Royal Hall of the Magi." The structure is the focus of a large, elaborate procession of figures dressed in various historical or foreign costumes, each labeled with their presumed ethnic or national origin (including Sarmatians, Turks, and Jews). This scene represents an allegorical or actual procession related to the Feast of the Epiphany/Adoration of the Magi, illustrating the universality of Christ's worship. The central inscription refers to the foundation of this religious adornment being gifted in Rome on the Viminal Hill in 1570. Étienne Dupérac was a French architect, painter, and engraver who spent an important part of his career in Rome (Italy), from 1559 to 1578. He is highly regarded for his detailed topographical and architectural views of the city's ancient ruins and contemporary structures, which were often published in major collections such as the Speculum Romanae Magnificentiae. His work served as an essential visual record and popular source for Renaissance architectural ideas across Europe. Artist or Maker: Étienne Dupérac Dimensions: Approximately 38 × 44 cm Medium: Engraving Date: 1570 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Étienne Dupérac (c. 1535–1604) – The Sanctuary of Our Lord Jesus Christ (Sacrarium D. N. Iesu Christi) – Engraving (1570)

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This engraving is a highly detailed architectural view of the Town Hall of Vlissingen (Flushing), Netherlands (Zeeland). The view is a precise elevation of the Renaissance-style facade, identified by the title Domus Senatoria Vlissingensis (Senatorial House of Vlissingen). The building is distinguished by its repetitive window bays, tiered structure, arched lower arcade, and ornate gable work, topped by decorative turrets and a central tower featuring a finial figure. This topographical print details the prominent civic architecture of the city and originates from an edition of Guicciardini's comprehensive geographical work. Ludovico Guicciardini was an Italian merchant, diplomat, and historian from Florence who lived and worked in Antwerp in the Spanish Netherlands for decades. He is famous for his comprehensive geographical and historical description of the Low Countries, the Descrittione di tutti i Paesi Bassi (Description of all the Low Countries), first published in 1567. This work was a bestseller of the time, continually revised and reissued with numerous maps and city views throughout the late 16th and 17th centuries, making him a critical figure in introducing the region's geography and culture to a wider European audience. Artist or Maker: Ludovico Guicciardini Dimensions: Approximately 30 × 35 cm Medium: Engraving Date: Circa 1625–1648 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Ludovico Guicciardini (1521–1589) – Town Hall of Vlissingen (Domus Senatoria Vlissingensis) – Engraving (Circa 1625–1648)

8384c_8de0d9221292144

This detailed engraving, titled "Volière de Varron" (Varro's Aviary), presents an idealized reconstruction of the pleasure aviary and associated dining areas built by the Roman scholar Marcus Terentius Varro at his villa in Casinum during the 1st century BC. The print shows a circular, colonnaded bird enclosure (aviarium) in a bird’s-eye perspective, flanked by rectangular pools and smaller columned structures, all set within a naturalistic landscape. This illustration served as a key historical document and originates from the monumental illustrated study, L'Antiquité expliquée et représentée en figures (antiquity explained and represented in figures), documenting the sophisticated recreational architecture of Roman antiquity. Bernard de Montfaucon was a french benedictine monk of the congregation of saint-maur, recognized as a founding figure of modern archaeology and palaeography. A profound scholar, his work L'Antiquité expliquée (published 1719–1724, in 10 volumes) was an unparalleled illustrated catalog of Greek, Roman, Egyptian, and other ancient antiquities, including gods, rituals, daily life, and funerals. This comprehensive compilation, featuring over a thousand engraved plates, became an indispensable resource for the study of the classical world throughout the 18th and 19th centuries. Artist or Maker: Bernard de Montfaucon Dimensions: Approximately 30 × 20 cm Medium: Engraving Date: Circa 1722 (Published 1719–1724) Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Bernard de Montfaucon (1655–1741) – Overhead View of Varro’s Aviary (Volière de Varron) – Engraving (Circa 1722)

8377c_8de0c198e10865f

This engraving, titled The Inside of a Hippah, in New Zealand, depicts a panoramic view of a fortified settlement (pā or hippah) on what is Motuara Island in Queen Charlotte Sound, New Zealand. The scene captures the interior grounds of the pā, featuring low-lying dwellings with thatched roofs and a palisade visible at the edges. In the foreground, a group of figures, one holding a taiaha (weapon), are gathered. This view was sketched by the expedition artist during Captain Cook’s brief visit to the region in February 1777 and was published as Plate 10 in the folio atlas accompanying the official account of Cook’s third voyage, A Voyage to the Pacific Ocean (1784). John Webber was a British-Swiss painter and draftsman who served as the official artist on Captain James Cook’s third and final voyage (1776–1780). His work provided the visual documentation for the expedition, including detailed records of the architectural structures, customs, and geographical features encountered in the Pacific, which were translated into the widely circulated copperplate engravings. Artist or Maker: John Webber Dimensions: Approximately 45 cm × 60&nbsp; cm Medium: Engraving Date: 1784 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.