Frederick de Wit (1629–1706) – Two Parrots on Branches – Copperplate Engraving (ca. 1650)

Robert de Launay (1749–1814) after F. Defehrt (fl. 18th Century) – Studies of Turkeys from Buffon's Histoire Naturelle – Engraving (1771)

François Nicolas Martinet (1731–1800) – La Gelinotte Femelle (The Female Hazel Grouse) – Hand-colored Engraving (1783)

François Nicolas Martinet (1731–1800) – Fiscal Shrike from the Cape of Good Hope and Rufous-backed Shrike from Senegal – Hand-colored Engraving (1783)

François Nicolas Martinet (1731–1800) – Le Tinamou de Cayenne (The Tinamou of Cayenne) – Hand-colored Engraving (1783)

François Nicolas Martinet (1731–1800) – La Gelinote Mâle (The Male Hazel Grouse) – Hand-colored Engraving (1783)

Johann Wilhelm Weinmann (1683–1741) – Convolvulus with Blue and Orange Flowers – Engraving (18th Century)

Johann Wilhelm Weinmann - Dracunculus Species – Hand-Coloured Copper Engraving

Johann Wilhelm Weinmann (1683–1741) – Campanula urticaefolia Varieties – Hand-Coloured Engraving (18th Century)

James Sowerby – Picris Echioides – Bristly Ox-tongue – Hand-Coloured Engraving - 1790–1814

James Sowerby – Betonica Officinalis (Wood Betony) – Hand-Coloured Engraving - 1790–1814

James Sowerby (1757–1822) – Set of 8 Studies – Clubmoss & Scarlet Lichen – Hand-Coloured Engravings (1790–1814)

James Sowerby (1757–1822) – Set of 8 Studies – Alpine Grimmia & Sea-Heath – Hand-Coloured Engravings (1790–1814)

Johann Joachim Becher (1635–1682) – Set of 2 Hand-coloured Botanical Engravings – Phythologia: Halimus, Berberis, Agrifolium & Oxyacantha (1662)

Johann Joachim Becher (1635–1682) – Phythologia: Erica, Erica Italica & Tilia - Hand-coloured Botanical Engraving – (1662)

Johann Joachim Becher (1635–1682) - Phythologia: Weiden oder Selbinge & Erbbeben – Hand-coloured Botanical Engraving – (1662)

Johann Joachim Becher (1635–1682) - Rhamnus & Erica – Phythologia: Rhamnusa & Erica – Hand-coloured Botanical Engraving - (1662)

Jean-Baptiste de La Caille Dezallier d'Argenville (1680–1765) – Antique Shell Engravings – Copperplate Engravings (circa 1780)

Alexander Calder (1898–1976) – Original Lithograph – DLM 221 – 1976

Joan Miró – Abstract Composition with Primary Colors – Color Lithograph

Antoni Tàpies – Á Cortazar – Lithograph from Derrière Le Miroir No. 234 – 1979

Antoni Tàpies (1923–2012)– Untitled – Lithograph from Derrière Le Miroir No. 234

Aimé Maeght (1906–1981) – Derrière Le Miroir – No. 227 – Maeght Éditeur

Aimé Maeght (1906–1981) – Derrière Le Miroir – No. 219 – Maeght Éditeur

Lars Tunebo (1962) - The Art Collector - Mixed digital media, artificial intelligence, and digital image tools by hand

Renato Guttuso (1911-1987) - Rare Set of 4 scenographic sketches for Eduardo De Filippo’s "Il Contratto" - Hand-signed - Silkscreen / Serigraph

Bengt Lindström (1925-2008) - Lithograph - Hand-signed - Numbered - 151/200

Oliviero Toscani (born 1942) - Exhibition Poster - Large Portrait of Andy Warhol - (1976)

Shepard "Obey" Fairey - Welcome Visitors

D*Face aka Dean Stockton - Street Improvements 1 (D-Dog) - Limited Edition

Georges Braque - Modernism with 3 original lithographs

Pierre Bonnard (1867–1947) – La Revue Blanche – Complete Portfolio – Lithograph Poster and Illustrated Album (1894 / 1966)

European School – Portrait of a Man in a Cap – Ink Drawing on Paper

Unknown – European School (18th Century) – Portrait of a Woman in Sepia Ink

European School – Portrait of a Man in Spectacles and Frilled Cap – Ink Drawing (19th Century)

Gustav Klimt (1862-1918) after - Collotype printed in red "Sitzende Frau" (Sitting Frau)

Gustav Klimt (1862-1918) after - Collotype Sitzende Frau (Sitting Frau)

Antonius Sanderus (1586–1664) – Chorographia Sacra Brabantiae – 1659–1674