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Fine Art. Antique Prints, Maps and Drawings / 28-02-2026, 18:00 CET

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This striking original lithograph in vivid red tones was created for Derrière le Miroir No. 237, dedicated to the work of French painter and sculptor Garache. Published in 1979 by the legendary Maeght Éditeur, this edition explores Garache’s fascination with the human form, particularly the female figure rendered in expressive, almost abstract gestures. The work exemplifies the artist's bold use of color and minimal form to convey emotion and sensuality. Printed by Arte, Paris, and issued for Galerie Maeght, this publication continued the tradition of pairing avant-garde artists with high-quality printmaking, as seen in other Derrière le Miroir collaborations. Artist or Maker: Garache Dimensions: Approx. 38 cm x 56 cm Medium: Original Lithograph on Wove Paper Date: 1979 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Alechinsky Garache – Derrière le Miroir No. 237 – Original Lithograph – 1979

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This dynamic untitled lithograph by Jean René Bazaine was created for Derrière le Miroir No. 211, published in 1974 by Maeght Éditeur. The composition bursts with gestural red strokes and splatters that convey pure energy and emotion, exemplifying Bazaine’s approach to lyrical abstraction. His use of explosive color and free-form brushwork connects with both the spiritual and the elemental. Bazaine (1904–2001) was a pivotal figure in post-war French painting, bridging abstract and symbolic art. He was closely associated with other major figures of the École de Paris and played a significant role in the revival of sacred art in France. His collaborations with Maeght and contributions to Derrière le Miroir reflect his deep engagement with the avant-garde publishing and exhibition culture of the time. Artist or Maker: Jean René Bazaine Dimensions: Approx. 38 cm x 28 cm Medium: Original Lithograph on Wove Paper Date: 1974 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

 Jean René Bazaine – Untitled – Lithograph from Derrière le Miroir – 1974

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This color lithograph is from the series Les Maîtres de l'Affiche (The Masters of the Poster), which was published by Imprimerie Chaix in Paris, France. The poster advertises a performance by the famous French singer and actress Yvette Guilbert at the Scala music hall. The print is a classic example of Belle Époque poster art, known for its elegant style and the portrayal of its subject. Ferdinand Bac was a French cartoonist, illustrator, and writer. He was a prominent figure in the Parisian art scene of the late 19th century, known for his witty caricatures and elegant, Art Nouveau-inspired posters and illustrations. His work is a key visual record of the society and entertainment of the Belle Époque. Artist or Maker: Ferdinand Bac. Dimensions: Approximately 38 × 28 cm. Medium: Color lithograph. Date: 1894. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Ferdinand Bac (1859–1952) – Scala, Yvette Guilbert – Color lithograph (1894)

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This hand-colored engraving depicts a highly ornate reliquary, a container used to hold and display religious relics, designed in the style of the late 15th century and featuring complex gold work, enamel, and glass components. The print originates from Henry Shaw's detailed study of medieval decorative arts. Henry Shaw was a distinguished British architectural draughtsman and antiquary, celebrated for his meticulous illustrations that revived interest in medieval design during the Victorian era. Artist or Maker: Henry Shaw. Dimensions: Approximately 27 cm x 19 cm. Medium: Hand-colored engraving. Date: c. 1851. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Henry Shaw (1800–1873) – A Reliquary – Hand-colored engraving (c. 1851)

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This lithograph is from the famous French series Les Maîtres de l'Affiche (The Masters of the Poster). It was issued as a special plate for subscribers. The print depicts a figure in a harlequin costume from the back, a common subject in late 19th-century French art. It is a work created for the series published by Imprimerie Chaix in Paris, France. Henri Boutet was a French illustrator, engraver, and artist. He was known for his elegant and detailed depictions of Parisian life and fashion during the Belle Époque. He created numerous prints and illustrations for magazines and various publications. Artist or Maker: Henri Boutet. Dimensions: Approximately 38 × 28 cm. Medium: Lithograph. Date: Circa 1895-1900. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Henri Boutet (1851–1919) – Harlequin – Lithograph (c. 1895-1900)

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Collotype "Sitzende Frau" (Sitting Frau) by Gustav Klimt, after. Gustav Klimt (1862-1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. He is best known for his paintings, murals, sketches, and other artworks, especially "The Kiss" and "Portrait of Adele Bloch-Bauer I." Artist of MakerGustav Klimt Dimensions51 x 32 cm MediumCollotype printed in red Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Gustav Klimt (1862-1918) - Collotype Sitzende Frau (Sitting Frau)

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Gustav Klimt (1862-1918) after - Collotype printed in red "Sitzende Frau" (Sitting Frau)

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A richly illustrated historical and topographical chronicle of the ecclesiastical and monastic institutions of Brabant. Chorographia Sacra Brabantiae, compiled by the Flemish historian Antonius Sanderus, documents prominent churches, abbeys, and religious sites through extensive Latin text and numerous engraved views. The work includes over 100 full-page copperplate engravings, each depicting an important architectural landmark from the Southern Netherlands during the Spanish period. Condition ReportBound in full leather with spine decorations, the book shows light wear but is overall well-preserved. Plates remain crisp and clean, though a few exhibit minor foxing. Artist or Maker: Antonius Sanderus Dimensions:37 cm x 25 cm Medium: Printed book with copperplate engravings Date: c.1659

Antonius Sanderus (1586–1664) – Chorographia Sacra Brabantiae – Printed Book with Copperplate Engravings (c.1659)

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Modernism. Braque, Georges, French modernist artist (1882-1963). Braque Lithographe. Preface by Francis Ponge, Notes and catalog established by Fernand Mourlot. Publisher Andfré Saiuret, Paris, 1963. Large 4to in an illustrated cover (lithograph) with an additional transparent cover. Stored in a cardboard box. Contains 3 original lithographs in color: the cover, the frontispiece, and the title vignette. One of 3357 copies. 189 pages with reproductions of Braque's lithographs and descriptions in text.

Georges Braque - Modernism with 3 original lithographs

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A major early 17th-century compilation of classical Roman military treatises, including De Re Militari by Flavius Vegetius Renatus, Strategemata by Frontinus, and additional military works by various ancient authors. This edition, published in 1607, was prepared by Dutch humanist Petrus Scriverius and enriched with commentary by Godfried Stewechius and Franciscus Modius. The volume includes 47 impressive woodcuts depicting Roman siege machines, formations, coins, and tactical diagrams. Printed in Latin, the book is a vital source for the study of ancient military science during the Renaissance. Condition ReportBound in contemporary limp vellum with handwritten spine title. The binding is worn with some soiling; text pages show minor foxing, consistent with the book’s age, but it remains in good condition overall. Artist or Maker:Flavius Vegetius Renatus Dimensions:21 cm x 16 cm Medium:Printed book with woodcut illustrations Date:1607 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.