Maerten de Vos (1532–1603) – Saint Blaise in the Wilderness – Copper engraving (1590)

Maerten de Vos (1532–1603) – Saint Quirinus in the Wilderness – Copper engraving (1590)

Maerten de Vos (1532–1603) – Saint Artus in the Wilderness – Copper engraving (1590)

Maerten de Vos (1532–1603) – Saint Benedict in the Wilderness – Copper engraving (1590)

Jan Sadeler I (1550–1600) – The Baptism of Christ with Emblematical Border – Copper engraving (1580)

Nicolas Chaperon (1612–1656) – Moses Strikes the Rock – Copper engraving (1650)

Jean-Baptiste Massé (1687–1767) – Allegory of the Netherlands Rescued against the Bishop of Münster – Copper engraving (1740)

Vincenzo Camuccini (1771–1844) – Horatius Cocles Defending the Bridge – Copper engraving (1810)

Adriaen Collaert (1560–1618) - Raising of the Cross - Copperplate Engraving (Late 16th Century)

Adriaen Collaert (1560–1618) - Nailing Christ to the Cross - Copperplate Engraving (Late 16th Century)

Adriaen Collaert (1560–1618) - Christ Carrying the Cross - Copperplate Engraving (Late 16th Century)

Adriaen Collaert (1560–1618) - Christ Carrying the Cross to Calvary - Copperplate Engraving (Late 16th Century)

Giacomo Lauro (1550–1630) - View of the Palace of Belvedere, Rome - Copperplate Engraving (Late 16th Century)

Giacomo Lauro (1550–1630) - View of a Star-Shaped Villa (Villa Farnese) - Copperplate Engraving (Late 16th Century)

Giacomo Lauro (1550–1630) – Palazzo and Garden of the Grand Duke of Tuscany in Rome – Copper engraving (1620)

Giacomo Lauro (1550–1630) – Palace and Garden of Villa d'Este in Tivoli – Copper engraving (1620)

Giacomo Lauro (1550–1630) – Topographical View of the Palatine Hill and Gardens in Rome – Copper engraving (1620)

Giacomo Lauro (1550–1630) – Palace and Gardens of the Quirinal Hill in Rome – Copper engraving (1620)

Sebastian Münster (1488–1552) – Bird’s-Eye View of Decemburg (from Das Geschütz Buch) – Woodcut (1550)

Sebastian Münster (1488–1552) – Bird’s-Eye View of the City of Basle – Woodcut (1550)

Sebastian Münster (1488–1552) – Bird’s-Eye View of the City of Prague – Woodcut (1574)

Sebastian Münster (1488–1552) – Bird’s-Eye View of Dubas (Dubrovnik) – Woodcut (1550)

Sebastian Münster (1488–1552) – View of the Fortress of Tokay (Tokaj) in Hungary – Woodcut (1566)

Sebastian Münster (1488–1552) – View of the Fortress of Griechisch Wessenburg (Belgrade) – Woodcut (1550)

Sebastian Münster (1488–1552) – View of the Fortress of Bacza in Hungary – Woodcut (1550)

Sebastian Münster (1488–1552) – Illustration of Northern European Wildlife and Heraldry – Woodcut (1550)

Sebastian Münster (1488–1552) – Monstrous Figure of Poland – Woodcut (1550)

Sebastian Münster (1488–1552) – Map of Cilicia, Cyprus, and Asia Minor – Woodcut (1550)

Sebastiano Serlio (1475–1554) - Design for a Roman Triumphal Arch - Woodcut (16th Century)

Sebastiano Serlio (1475–1554) - Study of the Pyramid and Antiquities - Woodcut (16th Century)

Sebastiano Serlio (1475–1554) - Facade Design for a Renaissance Palace - Woodcut (16th Century)

Sebastiano Serlio (1475–1554) - Design for a Complex Roman Portal Structure - Woodcut (16th Century)

Sebastiano Serlio (1475–1554) - Details of the Composite Order Capital - Woodcut (16th Century)

Sebastiano Serlio (1475–1554) - Study of Composite Order Columns and Masonry - Woodcut (16th Century)

Sebastiano Serlio (1475–1554) - Elevation Design for a Composite Archway - Woodcut (16th Century)

Jacob Cats (1577–1660) – Emblematic Illustration: The Autumn of the Beautiful – Copper engraving (1650)

Jacob Cats (1577–1660) – Emblematic Illustration: The Mother – Letterpress text with copper engraving (1650)

Jacob Cats (1577–1660) – Emblematic Illustration: Temptation in Old Age – Letterpress text with copper engraving (1650)

Jacob Cats (1577–1660) – Emblematic Illustration: Old Age – Letterpress text with copper engraving (1650)

Jacob Cats (1577–1660) – Emblematic Illustration: The Widow – Letterpress text with copper engraving (1650)

Jacob Cats (1577–1660) – Emblematic Illustration: Dissensions of Spouses, Stepchildren – Copper engraving (1650)

Jacob Cats (1577–1660) – Emblematic Illustration: Ill-Joined Things Fail – Copper engraving (1650)

Jacob Cats (1577–1660) – Emblematic Illustration: Let All Force Be Absent – Copper engraving (1650)

Giovanni Domenico Cassini (1625–1712) - View of the Porto di Ripetta, Rome - Copperplate Engraving (Mid-18th Century)

Giovanni Domenico Cassini (1625–1712) - View of the Arch of Constantine the Great - Copperplate Engraving (Mid-18th Century)

Giovanni Domenico Cassini (1625–1712) - View of the Piazza del Popolo, Rome - Copperplate Engraving (Late 18th Century)

Giovanni Domenico Cassini (1625–1712) - View of the Porta del Popolo, Rome - Copperplate Engraving (Mid-18th Century)

Jan Goeree (1670–1731) - View of the Column of Marcus Antoninus, Rome - Copperplate Engraving (Early 18th Century)