We offer in this sale old master prints from the end of the 15th Century, rare antique maps, nature history prints and drawings up to the 19th century, to modern &amp; contemporary fine prints.

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Fine Art. Antique Prints, Maps and Drawings / 21-06-2025, 18:00 CET

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This original lithographic cover was published by Maeght Éditeur in Paris in 1979 for issue No. 240 of Derrière Le Miroir, entirely devoted to Edward Kienholz. The composition, printed on thick wove paper, features a juxtaposition of speaker components and reflective planes in tones of black, yellow, and metallic gray. This visual motif mirrors Kienholz's interest in media, communication systems, and objecthood—central concerns of his assemblage practice. His engagement with themes of surveillance, technology, and institutional control is abstracted here into a striking modernist graphic. Edward Kienholz (1927–1994) was a leading figure in American installation art and assemblage. He first gained critical attention in the 1960s for provocative works addressing race, poverty, war, and American consumer culture. His work is housed in major institutions including MoMA, LACMA, and the Stedelijk Museum. Kienholz collaborated with his wife, Nancy Reddin Kienholz, from the 1970s onward, developing a rich visual language of social critique through immersive environments. Artist or Maker: Edward Kienholz Dimensions: 38 cm x 28 cm Medium: Lithographic Print (Cover) Date: 1979 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Edward Kienholz (1927–1994) – Derrière Le Miroir No. 240 – Lithographic Cover Design (1979)

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This vibrant lithograph titled Composition with Faces is a captivating example of Karel Appel's expressive and bold artistic style. The artwork features abstract representations of faces rendered with dynamic brushstrokes and vivid colours, characteristic of Appel's spontaneous and unfiltered creativity. As a co-founder of the COBRA movement in 1948, Appel sought to break free from traditional artistic conventions, embracing childlike spontaneity and raw emotion. This lithograph is signed and numbered 86/120, indicating its limited edition nature and collectible significance. The work is framed, with overall dimensions of approximately 78 cm × 94 cm, while the lithograph itself measures around 51 cm × 70 cm. Karel Appel (1921–2006) was a Dutch painter, sculptor, and poet, best known as a founding member of the avant-garde COBRA group. His works are celebrated for their bold use of colour and abstract forms, which express raw emotion and instinctive creativity. Throughout his career, Appel's art was exhibited globally, solidifying his reputation as one of the most influential European modern artists of the 20th century. Artist or Maker: Karel Appel Dimensions: 78 cm × 94 cm Medium: Lithograph Date: 1970s Condition Description:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Karel Appel (1921–2006) – Lithograph – Composition with Faces (1970s)

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Triple-sided color lithograph from the 1963 edition of Derriere Le Miroir #139-140 by Joan Miro, limited edition of 150 copies and published by Maeght Éditeur in Paris. Derrière Le Miroir was a publication that ran from 1946 to 1982, featuring prints by the era’s most celebrated Modernists. Produced by Galerie Maeght in Paris, the publication was dedicated to making art widely accessible at a time when many exiled artists and creative thinkers had just returned to France at the end of World War II. Joan Miró (1893-1983) was a Spanish surrealist artist known for his distinctive style combining elements of abstraction, surrealism, and Catalan folk art. He used vivid colors, playful shapes, and symbols to explore themes of dreams, the subconscious, and the imagination. Miró's work includes paintings, sculptures, and ceramics, and he is widely regarded as one of the most influential artists of the 20th century. His approach to art often defied traditional boundaries, making him a central figure in the development of modern art. Artist or maker:Joan Miro Dimensions:38 cm x 71 cm Medium:Lithography Date:1963 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Joan Miro (1893-1983) - Original Lithograph - La traversée du miroir - 1963

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DescriptionA lithography originates from the 1976 edition of Derriere Le Miroir #221 by Alexander Calder, limited edition of 150 copies. Derrière Le Miroir was a publication that ran from 1946 to 1982, featuring prints by the era’s most celebrated Modernists. Produced by Galerie Maeght in Paris, the publication was dedicated to making art widely accessible at a time when many exiled artists and creative thinkers had just returned to France at the end of World War II. Alexander Calder (1898 - 1976) was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static "stabiles", and his monumental public sculptures. Calder preferred not to analyze his work, saying, "Theories may be all very well for the artist himself, but they shouldn't be broadcast to other people." Calder's work is in many permanent collections across the world.&nbsp; Artist of MakerAlexander Calder MediumLithograph Date1976

Alexander Calder (1898-1976) - The Sun and the Moon - Original lithography, from Derriere Le Mirroire #221 - Paris

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Beautiful bird print from the Leipzig Edition of John James Audubon's ”Birds of America” printed in Leipzig, Germany in 1973. The Leipzig Edition of Audubon was printed using a form of lithography that put drops of ink on the page with no defined edges to increase the quality of the printing. Printed on a heavy stock cream colored paper this publication is limited to 1000 copies. ArtistJohn James Audubon MediumLithography Size68 cm x 98 cm&nbsp; Date1973

John James Audubon - Birds Of America Double Elephant Folio - Shoveller Duck - Anas Clypeata (1973)

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This vibrant color lithograph by Joan Miró originates from Derriere le Miroir features bold black gestural forms interspersed with bright dashes of red, green, yellow, and blue, set against a speckled, energetic background. The composition exemplifies Miró’s signature visual language — a fusion of abstraction, automatism, and surrealist symbolism. His dynamic forms often suggest figures, creatures, or cosmic elements, suspended in poetic ambiguity. The work likely originates from one of Miró’s many mid-century lithographic cycles, produced in collaboration with noted Parisian ateliers. Joan Miró (1893–1983) was a Catalan painter, printmaker, and sculptor celebrated for his contribution to Surrealism and modern art. His work spanned several decades and media, characterized by playful forms, vivid colors, and a highly personal symbolic language. In the 1950s–70s, Miró turned extensively to lithography and etching, creating numerous series that expanded the reach of his visual universe beyond canvas and sculpture. Artist or Maker:Joan Miró Dimensions:34 cm x 25 cm Medium:Color Lithograph Date:Mid-20th Century Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Joan Miró (1893–1983) – Abstract Composition with Primary Colors – Color Lithograph (Mid-20th Century)


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This edition of Derrière Le Miroir, published by Maeght Éditeur in Paris in 1971, is dedicated to the vibrant and surrealistic work of Richard Lindner. The publication includes several color lithographs and high-quality reproductions, highlighting Lindner’s iconic fusion of machine-like precision, pop eroticism, and theatrical figuration. The cover features two stylized figures locked in a symbolic and ambiguous embrace, referencing Lindner’s recurring interest in costumes, fetishism, and the dynamics of gender and power in urban settings. The booklet captures Lindner’s bold use of color, stylized outlines, and symbolic narratives, making it one of the most visually striking issues in the Derrière Le Miroir series. Richard Lindner (1901–1978) was a German-born painter who became a U.S. citizen after fleeing Nazi Germany and settling in New York. His unique style merged elements of German expressionism, American pop art, and surrealism. Known for his highly original portrayals of modern identity and sexuality, Lindner explored themes of alienation, fetish, and performance through mechanical forms and vivid palettes. His work played a vital role in post-war transatlantic modernism and remains celebrated for its psychological depth and provocative imagery. Artist or Maker: Richard Lindner Dimensions: 38 cm x 28 cm Medium: Illustrated Art Booklet (Color Lithographs and Reproductions) Date: 1971 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Richard Lindner (1901–1978) – Derrière Le Miroir – Illustrated Art Booklet (1971)

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This original lithograph in colors by Bengt Lindström originates from a limited edition artist’s proof (Épreuve d’Artiste). The print was published in Paris in the 1970s. Bengt Lindström (1925-2008) was a Swedish painter known for his large, vibrant, and expressive works that often featured mythological and human figures rendered in bold, vivid colours. Lindström's style is characterised by its raw, powerful expressionism, drawing inspiration from his Nordic heritage and incorporating elements of folk art and ancient mythology. Artist or Maker:Bengt Lindström Dimensions:76 cm x 57 cm Medium:Lithography Date:circa 1975–1985 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.