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Fine Art. Antique Prints, Maps and Drawings / 6-12-2025, 18:00 CET

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"Lars Tunebo - “The Art Collector” - AI, digital image processing by hand and processed glitter, signed and numbered" Colour giclée titled “The Art Collector” by Lars Tunebo. Mixed digital media, artificial intelligence, and digital image tools by hand, hand-signed and numbered 1/15 by artist. Lars Tunebo, born in 1962 in Lysekil, is a self-taught artist based in Gothenburg. Known for his vibrant artworks blending humor with cultural symbols, he has exhibited widely across Europe, the Middle East, and the United States, captivating collectors with his imaginative animal characters in urban landscapes. Artist or MakerLars Tunebo MediumColour giclée Date2023 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Lars Tunebo (1962) - The Art Collector - Mixed digital media, artificial intelligence - Colour giclée

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A distinctive and influential American Art Nouveau poster advertising the Boston-based periodical Modern Art, which was edited by J. M. Bowles and published by L. Prang &amp; Co. The image features a stylized landscape centered in a yellow panel: a winding river reflects a sunset sky of gold and orange, framed by dark green hills and a prominent tree. This central motif is enclosed within a green border decorated with flat, highly stylized poppy seed-heads. The composition is notable for its emphasis on flat planes of color, bold lines, and decorative structure, which directly reflects Dow’s revolutionary design theory drawn from Japanese woodblock prints. The bold lettering of "MODERN ART" contrasts sharply with the soft landscape. This print is a reduced-format reproduction (Plate 36) from the prestigious French monthly portfolio Les Maîtres de l’Affiche (The Masters of the Poster), highlighting its significance in the international poster movement. Arthur Wesley Dow was a foundational American artist and educator, profoundly influential in the Arts and Crafts movement and a key figure in transitioning American art toward modernism. Having studied in Paris, Dow radically shifted his philosophy after encountering Japanese woodblock prints, becoming convinced that composition (the organization of line, color, and mass) should supersede the traditional Western emphasis on imitation of nature. His book, Composition: A Series of Exercises in Art Structure (1899), disseminated these ideas widely, influencing a generation of artists including Georgia O'Keeffe. Artist or Maker: Arthur Wesley Dow (1857-1922)&nbsp; Dimensions: Approximately 30 × 22 cm&nbsp; Medium: Lithograph&nbsp; Date: 1897 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Arthur Wesley Dow (1857-1922) – Modern Art – Lithograph (1897)

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A vibrant and visually dynamic Art Nouveau poster advertisement for the "Brighton" Grand Ballet at the Olympia music hall in Paris, with music by Léopold Wenzel. The lithograph is executed in brilliant colors, dominated by eye-catching reds, yellows, and blacks, a palette intended to capture the viewer's attention. The composition features two energetic female dancers, dressed in skimpy red dresses and black ruffles, boldly posed in the foreground. They hold red umbrellas, possibly referencing the English seaside town of Brighton or the performance's themes. In the background, other figures and the ornate dome of the Olympia theater are visible. This print is a reduced-format reproduction from the prestigious monthly portfolio Les Maîtres de l’Affiche (The Masters of the Poster), published under the direction of Jules Chéret. Jean de Paléologu, known by his artistic pseudonym Pal, was a Romanian-born painter, illustrator, and poster artist who worked primarily in Paris and London. Arriving in Paris during the height of the Belle Époque poster craze, Pal quickly established himself as a master of the genre. His style, characterized by realistically drawn, sensual female figures and vibrant color schemes, made him the ideal artist for promoting theatrical and music hall productions like those at the Olympia. His work is noted for its focus on feminine allure and energy, distinct from the more whimsical style of his contemporary, Jules Chéret. Artist or Maker: Jean de Paléologu (Pal) (1855-1942)&nbsp; Dimensions: Approximately 30 × 22 cm&nbsp; Medium: Lithograph&nbsp; Date: 1896 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Jean de Paléologu (Pal) (1855-1942) – Olympia, Grand Ballet: Brighton

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A stunning lithographic poster advertisement for the opera Hellé, a four-act work with music by Alphonse Duvernoy and a libretto by Camille du Locle and Charles Nuitter, staged at the Académie Nationale de Musique (Paris Opéra). The design, executed in the soft colors and elegant lines of the Art Nouveau period, depicts a tragic, classically themed scene. A tall female figure, presumably the title character, is shown draped in a long white garment and veil, standing before the columns of a ruined classical temple. In the background, under a somber sky, a line of other figures in white robes appears against a landscape and sea. The work is signed "Steinlen" in the plate and characterized by a melancholy mood appropriate for a Greek tragedy. This print is a small-format reproduction from the prestigious monthly portfolio Les Maîtres de l’Affiche (The Masters of the Poster). Théophile-Alexandre Steinlen was a Swiss-born French painter, printmaker, and illustrator of the Art Nouveau period, best known for his posters and graphic works depicting Parisian life and bohemian Montmartre. Although often celebrated for his scenes of cats and working-class subjects, he was a prolific master of lithography, designing posters that perfectly blended artistic appeal with commercial purpose. This image showcases his ability to convey deep emotion and refined composition, demonstrating why his poster designs were selected for inclusion in the elite Les Maîtres de l’Affiche collection. Artist or Maker: Théophile-Alexandre Steinlen (1859-1923)&nbsp; Dimensions: Approximately 30 × 22 cm&nbsp; Medium: Lithograph&nbsp; Date: 1896 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Théophile-Alexandre Steinlen (1859-1923) – Hellé (Helle) – Lithograph (1896)

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A bold and graphically striking advertisement for The Century Magazine's July issue, reflecting the influence of the Art Nouveau and poster movements of the late 19th century. The composition uses flat planes of intense color—dominated by black, deep green, and brilliant yellow—to depict a summer or patriotic scene. The foreground features large yellow lanterns and several stylized figures silhouetted against a backdrop of trees, suggesting an outdoor gathering or celebration. The print originated from the publication Les Maîtres de l’Affiche (The Masters of the Poster), which faithfully reproduced the best contemporary posters for collectors. Charles Herbert Woodbury was an American painter, illustrator, and art instructor best known for his dynamic marine and landscape paintings. While he primarily worked in oil and watercolor, he contributed to the turn-of-the-century American poster movement, which briefly flourished in the 1890s. Woodbury was associated with the leading art and literary magazines of the period, and his poster for The Century Magazine is a notable example of American graphic design from this era, showcasing his talent for strong composition and bold color use, distinct from his better-known Impressionist works. Artist or Maker: Charles Herbert Woodbury (1864-1940)&nbsp; Dimensions: Approximately 30 × 21 cm&nbsp; Medium: Lithograph&nbsp; Date: 1895 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Charles Herbert Woodbury (1864-1940) – The July Century – Lithograph (1895)

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A striking exhibition poster for Upptäck Andy Warhol! ("Discover Andy Warhol!") held at Moderna Museet in Stockholm from February 9 to May 4, 2008. The design features one of Warhol’s Polaroid-style portraits, rendered in a large vertical format that emphasizes his enduring presence in visual culture. The minimalist layout and use of retro-modern typography reflect both Scandinavian design sensibilities and the stark immediacy of Warhol’s late-career public image. This poster was produced specifically for the Stockholm exhibition and remains a rare collectible artifact from one of the most significant European retrospectives of the pop art icon. Andy Warhol (1928–1987) was a leading figure in the Pop Art movement. He is best known for his bold, colorful depictions of consumer goods and celebrities, such as the Campbell's Soup Cans and Marilyn Monroe series. Warhol blurred the lines between high art and mass culture, using techniques like silkscreen printing to emphasize repetition and commercialization. His studio, The Factory, became a hub for avant-garde artists, musicians, and socialites, making him a cultural icon of his time. Artist or Maker: Andy Warhol Dimensions: 101 cm x 70 cm Medium: Lithograph Date: 2008 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Andy Warhol (1928–1987) – Lithograph – Exhibition Poster from Moderna Museet

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This original edition of Derrière Le Miroir is devoted entirely to Gérard Titus-Carmel’s Suite Narwa, published by Maeght Éditeur in Paris in 1976. The unnumbered issue features a series of colour lithographs and printed reproductions reflecting Titus-Carmel’s intricate, conceptual works focused on fragile constructions, broken symmetry, and the poetic logic of collapse. His architectural and geometric motifs are rendered with exceptional graphic delicacy, combining the analytical with the ephemeral. The publication belongs to the renowned Derrière Le Miroir series, which showcased 20th-century masters through specially commissioned lithographs and essays, forming a cornerstone of postwar artist-publisher collaboration in France. Gérard Titus-Carmel (b. 1942) is a leading French painter and writer associated with lyrical abstraction and conceptual figuration. Gaining international recognition in the 1970s, his work is marked by series-based exploration of objects and their transformation, decay, and material presence. His visual practice is often accompanied by poetic and theoretical writings, reflecting his dual engagement with image and text. Titus-Carmel’s work has been exhibited widely and is represented in major museum collections across Europe. Artist or Maker: Gérard Titus-Carmel. Dimensions: 38 cm x 28 cm. Medium: Illustrated Art Booklet (Color Lithographs and Reproductions). Date: 1976 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Gérard Titus-Carmel – Suite Narwa – Derrière Le Miroir – Illustrated Booklet

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This edition of Derrière Le Miroir, published by Maeght Éditeur in Paris in 1971, is dedicated to the vibrant and surrealistic work of Richard Lindner. The publication includes several color lithographs and high-quality reproductions, highlighting Lindner’s iconic fusion of machine-like precision, pop eroticism, and theatrical figuration. The cover features two stylized figures locked in a symbolic and ambiguous embrace, referencing Lindner’s recurring interest in costumes, fetishism, and the dynamics of gender and power in urban settings. The booklet captures Lindner’s bold use of color, stylized outlines, and symbolic narratives, making it one of the most visually striking issues in the Derrière Le Miroir series. Richard Lindner (1901–1978) was a German-born painter who became a U.S. citizen after fleeing Nazi Germany and settling in New York. His unique style merged elements of German expressionism, American pop art, and surrealism. Known for his highly original portrayals of modern identity and sexuality, Lindner explored themes of alienation, fetish, and performance through mechanical forms and vivid palettes. His work played a vital role in post-war transatlantic modernism and remains celebrated for its psychological depth and provocative imagery. Artist or Maker: Richard Lindner. Dimensions: 38 cm x 28 cm. Medium: Illustrated Art Booklet. Date: 1971 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Richard Lindner – Derrière Le Miroir – Illustrated Art Booklet (1971)

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This original edition of Derrière Le Miroir, published in 1980 by Galerie Maeght, is dedicated to the work of German painter Konrad Klapheck. Known for his surreal depictions of typewriters, sewing machines, telephones and bicycles, Klapheck here presents a series of works that blur the line between objectivity and subconscious tension. The volume includes striking full-page illustrations in both colour and black and white. The text is presented in French, German, and English. The spine shows minor damage and there is light foxing present, but overall the book remains in fine collectible condition. Artist or Maker:Konrad Klapheck. Dimensions:28 cm x 38 cm. Medium:Offset-printed artist book with autograph. Date:1980 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Konrad Klapheck – Derrière Le Miroir: Klapheck – Illustrated Artist Book

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This original lithographic cover was published by Maeght Éditeur in Paris in 1979 for issue No. 240 of Derrière Le Miroir, entirely devoted to Edward Kienholz. The composition, printed on thick wove paper, features a juxtaposition of speaker components and reflective planes in tones of black, yellow, and metallic gray. This visual motif mirrors Kienholz's interest in media, communication systems, and objecthood—central concerns of his assemblage practice. His engagement with themes of surveillance, technology, and institutional control is abstracted here into a striking modernist graphic. Edward Kienholz (1927–1994) was a leading figure in American installation art and assemblage. He first gained critical attention in the 1960s for provocative works addressing race, poverty, war, and American consumer culture. His work is housed in major institutions including MoMA, LACMA, and the Stedelijk Museum. Kienholz collaborated with his wife, Nancy Reddin Kienholz, from the 1970s onward, developing a rich visual language of social critique through immersive environments. Artist or Maker:Edward Kienholz. Dimensions:38 cm x 28 cm. Medium:Lithographic Print (Cover). Date:1979 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Edward Kienholz – Derrière Le Miroir No. 240 – Lithographic Cover Design

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This colour lithograph, commonly known as "Goddess of Light," is a print of an advertisement for gas lighting, originally created as a poster. The work features a stylized female figure in a white dress, holding two lanterns against a striking red background. The poster, which advertises "Incandescence par le Gaz," is an iconic example of late 19th-century Art Nouveau design. This particular print is from the renowned art publication Les Maîtres de l'Affiche, which reproduced key works by prominent poster artists. Maurice Réalier-Dumas was a French painter, lithographer, and illustrator. He was a significant figure in the Art Nouveau movement and created a number of notable posters and advertisements for various clients. His work is characterized by its bold use of colour, elegant lines, and the stylized depiction of figures, which captured the aesthetic spirit of the Belle Époque and remains influential in the history of graphic design. Artist or Maker:Maurice Réalier-Dumas Dimensions:Approximately 26 × 20 cm Medium:Colour lithograph Date:1897 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Maurice Réalier-Dumas (1860–1928) – Goddess of Light – Colour lithograph (1897)

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This political caricature depicts Isabella II, Queen of Spain, in an exaggerated style, carrying her crown and a suitcase. The accompanying caption states: "She has throughout her life been betrayed by those who should have been most faithful to her." The image was published shortly after the Queen’s deposition and exile in 1868, satirizing her tumultuous reign and forced departure from Spain. This print is a weekly supplement from the British society magazine Vanity Fair, which was known for its full-page caricatures of prominent figures. James Jacques Tissot was a French painter, illustrator, and caricaturist who signed his Vanity Fair work with the pseudonym "Coïdé." He became a notable contributor to the magazine early in its history. Tissot’s career spanned the Impressionist and Victorian eras, marked by his refined paintings of contemporary life and fashion. The use of his caricatures, reproduced in color via chromolithography, was key to establishing Vanity Fair's success and distinctive visual style in the 19th century. Artist or Maker: James Jacques Tissot Dimensions: Approximately 34 × 22 cm Medium: Chromolithograph Date: September 18, 1869 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

James Jacques Tissot (1836–1902) – Sovereigns, No. 2: Isabella II, Queen of Spain – Chromolithograph (September 18, 1869)

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Framed etching ”Summer" by Anders Zorn, signed and dated in the plate Zorn 1907. Asplund 211. H&amp;H 248. ZG 211. From "Ord och Bild" 1910.&nbsp; Anders Zorn (1860-1920) was a Swedish painter and etcher known for his portraits, nudes, and depictions of water. He was one of Sweden's most famous artists and achieved international success during his lifetime. Artist of MakerAnders Zorn MediumEtching Date1910 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Anders Zorn (1860-1920) - Framed Etching ”Summer" signed in plate

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This original lithograph by Arman Fernandez features an abstract composition characterized by overlapping linear forms and gestural splashes in earthy tones. The print is hand-signed by the artist and numbered, indicating its limited edition nature. Arman, a French-American artist associated with Nouveau Réalisme, was renowned for his exploration of accumulation, destruction, and transformation of objects in both painting and sculpture. This work reflects his dynamic visual language and experimental approach to printmaking during the mid-20th century. Artist or Maker:Arman Fernandez Dimensions:65 cm x 48 cm Medium:Lithograph on paper Date:Mid 20th Century Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Arman Fernandez – Abstract Composition – Signed and Numbered Lithograph

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This original lithograph in colors by Bengt Lindström originates from a limited edition of 200, hand-signed and numbered by the artist. The print was published in Paris in the 1970s. Bengt Lindström (1925-2008) was a Swedish painter known for his large, vibrant, and expressive works that often featured mythological and human figures rendered in bold, vivid colours. Lindström's style is characterised by its raw, powerful expressionism, drawing inspiration from his Nordic heritage and incorporating elements of folk art and ancient mythology. Artist or Maker:Bengt Lindström. Dimensions:76 cm x 57 cm. Medium:Lithography. Date:circa 1975–1985. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Bengt Lindström (1925-2008) - Lithograph - Hand-signed - Numbered - 151/200

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This lithograph titled&nbsp;"Imenoteeth"&nbsp;was created by Arman (Armand Pierre Fernandez) in 1977. Known for his radical approach to the use of objects in art, Arman is recognized for his "accumulations" – works composed of collections of everyday objects arranged and transformed into art. In this piece, he explores the idea of mass production and the tension between the utilitarian nature of objects and their new artistic context. Imenoteeth&nbsp;captures a fascinating juxtaposition of organic forms and industrial aesthetics. Arman’s signature technique involves layering or clustering items to reveal the unexpected beauty in repetition and excess, as seen in the intricate depiction in this lithograph. This work belongs to the tradition of Pop Art and conceptual art that Arman helped shape, using non-traditional media to convey deep philosophical and cultural commentary. The composition is a lithograph in colours, signed and numbered 133/250. Artist or Maker:Arman (1928–2005) Medium:Lithograph in colours Date:1977 Dimensions:56 cm x 42 cm Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Armand Pierre Fernandez (1928–2005) – "Imenoteeth" – Lithograph (1977)

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This offset print, titled Floral Tribute, is a late work by the artist Marc Chagall. The print depicts a central figure holding a large bouquet of flowers, flanked by two other figures, with a crescent moon and abstract forms in the background. The work features Chagall's characteristic use of vibrant colors, dynamic lines, and motifs such as celestial elements and bouquets. Marc Chagall was a Russian-French artist. He was a pioneer of modern art and a key figure in the development of Symbolism and Expressionism. His work spans a wide range of mediums, including painting, drawing, lithography, and stained glass. His art often explores themes of love, memory, and spiritual life, using a unique, dreamlike visual language. Artist or Maker: Marc Chagall. Dimensions: Approximately 32 × 25 cm. Medium: offset print. Date: 20th century. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Marc Chagall (1887–1985),after – Floral Tribute – offset print (20th century)

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This offset print, titled Intimacy, is a quintessential example of Marc Chagall's dreamlike and surrealist style. The composition features a central figure of a woman with vibrant blue hair, holding a small child, set against a background of whimsical figures, a friendly goat, and a small blue house. The work's floating forms, vibrant colour palette, and mix of human and animal imagery create a narrative that speaks to themes of love, memory, and spiritual connection. Marc Chagall was a Belarusian-French artist who became one of the most significant and influential modernists of the 20th century. His work is celebrated for its unique blend of Cubism, Symbolism, and Surrealism, creating a distinctive style characterized by vibrant colours, dreamlike imagery, and a strong sense of narrative. His art often explored themes of love, memory, and the spiritual, drawing heavily from his childhood in a Jewish community in Belarus. Artist or Maker:Marc Chagall,after Dimensions:Approximately 26 × 20 cm Medium: offset print. Date: 20th century. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Marc Chagall (1887–1985),after – Intimacy  – offset print (20th century)

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This offset print is a striking still life, titled Still Life of Iris, depicting a tall, stylized lamp and a vase of blue irises on a tabletop. The work is characterized by Buffet's distinctive graphic style, featuring bold, angular lines and a textured, expressive background. The use of a limited color palette of yellow, green, and blue, applied in a flat, unshaded manner, emphasizes the composition's structure and form, making it a powerful example of post-war figurative art. Bernard Buffet was a highly prolific and celebrated French painter, printmaker, and illustrator. He became a prominent figure in the post-war art scene, known for his unique style characterized by angular lines, a limited and somber color palette, and expressive figurative subjects. He rose to international fame in the mid-20th century and was a master of his craft, producing a vast body of work that included portraits, still lifes, and landscapes. Artist or Maker:Bernard Buffet Dimensions:Approximately 26 × 20 cm Medium: offset print. Date: 20th century. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Bernard Buffet (1928–1999),after – Still Life of Iris  – offset print (20th century)

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This offset print depicts a whimsical still life with a house of cards and a pendulum clock on a table, set against a striped green background. The composition, titled "Château de cartes" (House of Cards), uses bold, dark lines and a flat, graphic style, which are hallmarks of Buffet's distinctive aesthetic. The presence of the clock and the precarious house of cards evokes themes of the fragility of existence and the relentless passage of time, a common motif in his later work. Bernard Buffet was a highly prolific and celebrated French painter, printmaker, and illustrator. He became a prominent figure in the post-war art scene, known for his unique style characterized by angular lines, a limited and somber color palette, and expressive figurative subjects. He rose to international fame in the mid-20th century and was a master of his craft, producing a vast body of work that included portraits, still lifes, and landscapes. Artist or Maker:Bernard Buffet Dimensions:Approximately 26 × 20 cm Medium: offset print. Date: 20th century. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Bernard Buffet (1928–1999),after – Château de cartes (House of Cards)

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DLM published in April 1966 for the exhibition of 254 works in homage to the Revue Blanche at the Galerie Maeght. Text by Annette Vaillant and Jacques Salomon. 48 unbound pages. 3 colour lithographic reproductions after Bonnard, Roussel, and Vuillard. 8 black lithographic reproductions after Toulouse-Lautrec, Vuillard, Bonnard, Seurat, and others. Original print run. Artist or Maker:Pierre Bonnard Dimensions:38 cm x 28 cm Medium:Offset Print, Illustrated Album Date:1894 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Pierre Bonnard  – La Revue Blanche – Complete Portfolio – Offset Print

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This is an Offset print based on an original work, likely a drawing or oil pastel, by Pablo Picasso. The composition uses bold, expressive lines of blue, yellow, orange, and red wax crayon or oil pastel to depict a complex, semi-abstract scene, strongly suggesting a bullfighting arena (Plaza de Toros) and the surrounding architecture. The forms within the arena, rendered primarily in black, red, and yellow lines, represent the bull, the matadors, and the spectators. This print is a late-century reproduction, popularizing Picasso’s iconic exploration of movement, abstraction, and the drama of the corrida. Pablo Picasso was a Spanish painter, sculptor, printmaker, ceramicist, and stage designer who spent most of his adult life in France. Recognized as one of the most influential artists of the 20th century, he is co-founder of the Cubist movement and invented collage. He is celebrated for his revolutionary style and prolific output that spanned several distinct periods, with the subject of the bullfight remaining a lifelong fascination. Artist or Maker: Pablo Picasso, after Dimensions: Approximately 28 × 38 cm Medium: Offset print Date: 20th Century Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Pablo Picasso (1881–1973), after – Abstract Scene (The Bullfight) – Offset print (20th Century)

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This color lithograph, created in 1959, depicts a stylized horse and rider. The work features a bold and expressive line, with areas of color in red, blue, and black. The print is a good example of Pablo Picasso's later style, which often returned to classical and mythological themes and figures, reinterpreted with a modern, spontaneous energy. Pablo Picasso was a Spanish painter, sculptor, printmaker, ceramicist, and theater designer. He is widely regarded as one of the most influential and revolutionary artists of the 20th century. He co-founded the Cubist movement and invented collage. His work is known for its incredible stylistic versatility and artistic innovation across a vast body of work. Artist or Maker: Pablo Picasso. Dimensions: Approximately 27 × 37 cm. Medium: Color lithograph. Date: 1961. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Pablo Picasso (1881–1973) – Horse and Rider – Color lithograph (1961)

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This lithograph is an untitled work depicting a woman in a red dress and a red hat riding a white horse in a gestural, dynamic style. The composition, characterized by its bold lines and vibrant, flat colors, is reminiscent of the themes and style of Picasso's famous bullfighting series, 'Toros y Toreros'. The work's energetic and expressive quality is a testament to the artist's ceaseless innovation and his ability to convey powerful imagery with a deceptively simple aesthetic. Pablo Picasso was a Spanish painter, sculptor, printmaker, and ceramicist who spent most of his adult life in France. He is widely regarded as one of the most influential and revolutionary artists of the 20th century. As the co-founder of Cubism, he pioneered a radical shift in art that profoundly impacted the development of modern and contemporary art. His work is known for its incredible diversity and ceaseless innovation, with subjects like horses being a prominent and deeply personal theme throughout his career. Artist or Maker:Pablo Picasso Dimensions:Approximately 26 × 20 cm Medium:Lithograph Date:1959 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Pablo Picasso (1881–1973) – Woman on a Horse – Lithograph (1959)

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Collotype "Sitzende Frau" (Sitting Frau) by Gustav Klimt, after. Gustav Klimt (1862-1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. He is best known for his paintings, murals, sketches, and other artworks, especially "The Kiss" and "Portrait of Adele Bloch-Bauer I." Artist of MakerGustav Klimt Dimensions51 x 32 cm MediumCollotype printed in red Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.