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We offer in this sale old master prints from the end of the 15th Century, rare antique maps, nature history prints and drawings up to the 19th century, to modern &amp; contemporary fine prints.

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Fine Art. Antique Prints, Maps and Drawings / 10-05-2025, 18:00 CET

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This dynamic color lithograph titled Abstract Composition III is based on an original ink and crayon drawing by Pablo Picasso, dated 1.8.57, as inscribed in the lower right. The composition is part of the California series, published in 1962 by Cercle d’Art in Paris, celebrating Picasso’s enduring fascination with the energy and ritual of the Spanish bullfight. The image is a whirlwind of abstract movement—swirling lines, dashes of bright red, blue, yellow, and green—evoking the vibrancy of the arena. Figures of matadors and bulls dissolve into rhythmic gestures, showing Picasso’s unique ability to reduce complex forms into pure visual rhythm. Though marked as “after Picasso,” the work captures his unmistakable style and bold approach to composition and color. After Pablo Picasso refers to artworks created in the style of or inspired by Pablo Picasso (1881–1973), one of the most influential artists of the 20th century. These pieces often reflect his signature styles, such as Cubism, Surrealism, or his bold use of line and color. While not created by Picasso himself, "after" works pay homage to his legacy and artistic innovations, capturing the spirit and visual language of his originals. Artist or Maker:After Pablo Picasso Dimensions:27 cm x 37 cm Medium:Color Lithograph on Paper Date:1962 (original dated 1957) Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Pablo Picasso (1881–1973), after - Color Lithograph - Toros y Toreros – Abstract Composition III from the California Series – 1962

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This original lithographic fold-out print by Antoni Tàpies was published in Derrière Le Miroir No. 180 in October 1969 by Maeght Éditeur in Paris. Known for his highly textural and symbolic abstract language, Tàpies here explores gestural forms and meditative surfaces, blending drawing, printmaking, and painterly effects in a format that reflects the radical experimentalism of post-war European abstraction. Derrière Le Miroir was a legendary art revue issued by Maeght between 1946 and 1982, showcasing the work of leading avant-garde artists. This issue was entirely dedicated to Tàpies, featuring several original lithographs, including this striking horizontal composition. Antoni Tàpies (1923–2012) was a Catalan painter, printmaker, and theorist, considered one of the most influential European artists of the 20th century. His work combined elements of matter painting, Eastern philosophy, and political symbolism within a uniquely tactile visual vocabulary. Artist or Maker: Antoni Tàpies Dimensions: 38 cm × 112 cm Medium: Lithograph on paper Date: 1969 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Antoni Tàpies (1923–2012) – Derrière Le Miroir No. 180 – Large Lithographic Fold-Out Print (1969)

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This original lithograph by Antoni Tàpies was published as part of Derrière Le Miroir No. 180 in October 1969 by Maeght Éditeur in Paris. The composition exemplifies Tàpies’ signature language—gestural abstraction, layered textures, and elemental materials. A powerful triangular black form emerges against a backdrop of muted washes and spontaneous markings, invoking a tactile sense of matter, emptiness, and introspective tension. Printed on folded paper as part of the deluxe revue format, this piece was one of several lithographs specially created by Tàpies for this issue. Derrière Le Miroir was known for its collaborations with the most important artists of the post-war avant-garde, and Tàpies was among its most celebrated contributors.&nbsp; Antoni Tàpies (1923–2012) was a Catalan painter, printmaker, and theorist, considered one of the most influential European artists of the 20th century. His work combined elements of matter painting, Eastern philosophy, and political symbolism within a uniquely tactile visual vocabulary. Artist or Maker: Antoni Tàpies Dimensions: 38 cm × 28 cm Medium: Lithograph on folded paper Date: 1969 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Antoni Tàpies (1923–2012) – Abstract Lithograph from Derrière Le Miroir No. 180 – Fold-Out Large Lithograph (1969)

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This striking black-and-white lithograph by Antoni Tàpies was published as part of Derrière Le Miroir No. 180 in October 1969 by Maeght Éditeur in Paris. The image centers on a dense, organic form pierced by a vertical nail—a recurring symbol in Tàpies' visual language, often interpreted as a metaphor for suffering, transcendence, or material spirituality. The energetic brushwork and visceral texture draw on both surrealist and informalist traditions, underscoring the artist's interest in matter and gesture. This lithograph exemplifies Tàpies' philosophical engagement with physicality and abstraction, making it a standout work from his collaboration with the avant-garde publication Derrière Le Miroir.&nbsp; Antoni Tàpies (1923–2012) was a Catalan painter, printmaker, and theorist, considered one of the most influential European artists of the 20th century. His work combined elements of matter painting, Eastern philosophy, and political symbolism within a uniquely tactile visual vocabulary. Artist or Maker: Antoni Tàpies Dimensions: 38 cm × 28 cm Medium: Lithograph on paper Date: 1969 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Antoni Tàpies (1923–2012) – Abstract Lithograph with Nail Motif – From Derrière Le Miroir No. 180 – Lithograph (1969)

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Original Linocut "Slända" (Dragonfly) by Owe Gustafson.Owe Gustafson is a Swedish artist. In Sweden, he is best known for animated segments on the show Fem myror är fler än fyra elefanter (1973), a Swedish preschool series that had been inspired by Sesame Street, which would later feature many of these animated segments. He has also illustrated books made for the TV series. Exhibitions of his work have been shown in New York, Paris, and Tokyo. He has written a few books over the years as well. Artist or Maker:Owe Gustafson Medium:Linocut Date:21th Century

Owe Gustafson - Original Linocut - Insect - Dragonfly / Slända - Sweden

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This large-format lithograph by Valerio Adami features his signature use of bold black outlines enclosing flat planes of color, merging classical themes with modern abstraction. The composition is charged with symbolic and architectural motifs, often interpreted as a meditation on identity, history, and political narrative. Adami’s precise graphic style draws inspiration from pop art, futurism, and comic aesthetics, yet remains distinct in its intellectual rigor and formal structure. The print was published in 1975 by Galerie Maeght in Paris as part of Derrière le Miroir, No. 213. This iconic art journal regularly featured original lithographs by major contemporary artists, serving as an important platform for the avant-garde in postwar Europe. Artist or Maker:Valerio Adami Dimensions:38 cm x 56 cm Medium:Engraving Date:1975 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Valerio Adami (b. 1935) - Lithography from Derrière le Miroir - Abstract Figure with Architectural Forms – 1975

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This original color lithograph by Belgian artist Pol Bury was published in Derrière Le Miroir No. 209 in 1974 by Maeght Éditeur, Paris. The work features Bury’s signature fusion of kinetic rhythm and visual ambiguity, composed of layered gestural and calligraphic elements that create a vibrant field of motion. The visual language suggests musical notation in flux, a theme Bury often explored through abstraction and repetition. Although unsigned (as issued), the print is an original lithograph from the publication.&nbsp; Pol Bury (1922–2005) was a major figure in post-war European abstraction and kinetic art, transitioning from surrealism to dynamic, minimalistic works involving optical and mechanical movement. Artist or Maker: Pol Bury Dimensions: 38 cm × 28 cm Medium: Colour Lithograph on paper Date: 1974 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Pol Bury (1922–2005) – Abstract Composition – Colour Lithograph from Derrière Le Miroir No. 209 (1974)

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This dynamic colour lithograph by Alexander Calder was published in Derrière Le Miroir No. 253 in 1982 by Maeght Éditeur in Paris. The composition features six stylized totemic figures—part human, part beast—rendered in bold black lines and accented with striking vertical red forms, characteristic of Calder’s playful and symbolic visual language. Known for his ability to convey movement and balance through both sculpture and print, Calder here engages with primitivist and performative themes, blending abstraction and figuration in a theatrical lineup of forms. This print was part of a special issue of Derrière Le Miroir dedicated to Calder’s late works.&nbsp; Alexander Calder (1898–1976) was an American sculptor and painter, celebrated as the inventor of the mobile and a master of mid-century abstraction. Artist or Maker: Alexander Calder Dimensions: 38 cm × 56 cm Medium: Colour Lithograph on folded paper Date: 1982 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Alexander Calder (1898–1976) – Abstract Totemic Figures – Colour Large Lithograph from Derrière Le Miroir No. 253 (1982)

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This stark and meditative colour lithograph by Antoni Tàpies was published in Derrière Le Miroir No. 180 by Maeght Éditeur, Paris, in October 1969. A single visceral red vertical mark runs through the center of an otherwise blank sheet, embodying Tàpies’ fascination with the material trace, symbolic gesture, and the aesthetics of silence and resistance. The image resonates with themes central to his work—mortality, transcendence, and physical presence—rendered through simplicity and texture. The piece was part of a special issue devoted entirely to Tàpies and includes several lithographs in this highly reduced, calligraphic idiom.&nbsp; Antoni Tàpies (1923–2012) was a Catalan painter and theorist whose work bridged abstract expressionism and postwar European existentialism, focusing on surface, matter, and spiritual introspection. Artist or Maker: Antoni Tàpies Dimensions: 38 cm × 28 cm Medium: Colour Lithograph on paper Date: 1969 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Antoni Tàpies (1923–2012) – Vertical Red Gesture – Colour Lithograph from Derrière Le Miroir No. 180 (1969)

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This bold colour lithograph by Spanish painter Eduardo Arroyo was published in Derrière Le Miroir No. 208 by Maeght Éditeur, Paris, in 1974. Printed in striking monochrome yellow-orange tones, the composition shows the back of a man wearing a wide-brimmed hat, viewed from an elevated angle. The image blurs the line between photography, painting, and print, reflecting Arroyo’s recurring themes of anonymity, social roles, and theatricality.&nbsp; Known for his politically charged and narrative-infused works, Arroyo emerged as a key figure in postwar figurative art and was active in the Spanish resistance against Franco’s regime. This lithograph exemplifies his blend of irony, formal clarity, and Pop-inflected iconography. Artist or Maker: Eduardo Arroyo Dimensions: 38 cm × 56 cm Medium: Colour Lithograph on folded paper Date: 1974 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Eduardo Arroyo (1937–2018) – Man in Hat – Colour Large Lithograph from Derrière Le Miroir No. 208 (1974)

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This richly textured lithograph by Antoni Tàpies was published in Derrière Le Miroir No. 180 in October 1969 by Maeght Éditeur, Paris. Evoking the feel of worn fabric or aged parchment, the image reproduces a crumpled, tactile surface with two stark white gashes cutting through its organic flow. Tàpies frequently explored themes of imperfection, materiality, and rupture, often transforming ordinary textures into sites of metaphysical reflection. This lithograph is emblematic of his “matter painting” approach, where surface, gesture, and absence become bearers of meaning.&nbsp; Antoni Tàpies (1923–2012) was a Catalan painter and theorist whose work bridged abstract expressionism and postwar European existentialism, focusing on surface, matter, and spiritual introspection. Artist or Maker: Antoni Tàpies Dimensions: 38 cm × 28 cm Medium: Lithograph on paper Date: 1969 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Antoni Tàpies (1923–2012) – Crumpled Surface with Tear – Textured Lithograph from Derrière Le Miroir No. 180 (1969)

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This powerful double-page lithograph by Antoni Tàpies was published in Derrière Le Miroir No. 180 in 1969 by Maeght Éditeur, Paris. Rendered in white chalk-like markings on a matte black field, the composition combines crosses, fingerprints, and handwritten inscriptions such as “AMOR,” “LIBERTAT,” and the crossed-out word “MASSA,” evoking themes of resistance, identity, and personal struggle. Tàpies used the printed surface as a field of tension, treating it as a wall or slate onto which symbolic language and traces of presence are violently inscribed or erased. This work is emblematic of Tàpies' political engagement in late-Francoist Spain and his philosophical commitment to matter, silence, and expression.&nbsp; Antoni Tàpies (1923–2012) was a Catalan painter and theorist whose work bridged abstract expressionism and postwar European existentialism, focusing on surface, matter, and spiritual introspection. Artist or Maker: Antoni Tàpies Dimensions: 38 cm × 56 cm Medium: Lithograph on folded paper Date: 1969 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Antoni Tàpies (1923–2012) – Amor / Massa / Libertat – Double-Page Lithograph from Derrière Le Miroir No. 180 (1969)

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This charming hand-coloured chromolithograph titled Heißer Brei (Hot Porridge) / Too hot yet portrays three expressive puppies interacting around a plate of steaming food. Two pups sit affectionately nose-to-nose in the foreground, while a third peers curiously from a chair in the background. The scene captures the sentimental appeal and gentle humour popular in domestic interior prints of the late 1800s. The soft painterly rendering and vivid colours are characteristic of chromolithography produced by Julius A. Löw’s firm in Berlin, renowned for its high-quality genre and animal scenes intended for the decorative print market.Julius A. Löw (1825–1902) was a German lithographer and publisher based in Berlin, whose firm J.A. Löw &amp; Co. specialized in chromolithographic printing. Active during the height of lithographic production in Europe, he contributed significantly to the visual culture of the late 19th century with sentimental, decorative scenes widely distributed across German-speaking regions. Artist or Maker: Julius A. Löw Dimensions: 37 cm × 48 cm Medium: Hand-Coloured Chromolithograph Date: Late 19th Century Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Julius A. Löw (1825–1902) – Heißer Brei / Too hot yet – Hand-Coloured Chromolithograph of Puppies (Late 19th Century)

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”Ved” Silkscreen by Johan Petterson, printed by Catharina Landberg in Stockholm, 2024. Paper: Fabriano Disegno 5, 350 grams. Hand-signed and numbered 29/180. Johan Petterson (born 1957) is a Swedish artist known for his work in various media, including painting, sculpture, and printmaking. His art often explores themes of abstraction and the human experience, using dynamic and expressive techniques. Petterson's work has been exhibited in galleries and exhibitions both in Sweden and internationally, and he is recognized for his ability to convey complex emotions and ideas through visual forms. Artist or Maker: Johan Petterson Dimensions:35.5 cm x 35.5 cm (plate size) Medium: Silkscreen Date: 2024 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Johan Petterson (b. 1957) - Silkscreen - Ved - Hand-signed and numbered 29/180	

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This refined Old Master drawing depicts a young man, delicately rendered in watercolour with an emphasis on individuality and subtle expression. Likely originating from Italy, the work reflects the stylistic characteristics of 18th-century European portraiture. Provenance: The Winfield Robbins print collection of Arlington, Massachusetts. Artist or Maker: European School Dimensions: 22 cm x 20 cm Medium: Watercolour Date: 18th century Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

European School – Portrait of a Young Man – Old Master Watercolour Drawing (18th Century)

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Old master drawing, portraits of man from the 18th century, probably from Italy.Provenance: The Winfield Robbins print collection of Arlington, Massachusetts. Artist or Maker:European School Dimensions:22 cm x 20 cm Medium:Watercolour&nbsp; Date:18th century Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

European School – Portrait of a Gentleman – Old Master Watercolour Drawing (18th Century)

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This antique Old Master drawing presents a portrait of a man, executed in delicate watercolour and likely originating from Italy in the 18th century. The work showcases the refined style and individualistic character typical of European portraiture from this era. Provenance: The Winfield Robbins print collection of Arlington, Massachusetts. Artist or Maker: European School Dimensions: 22 cm x 20 cm Medium: Watercolour Date: 18th century Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

European School – Portrait of a Man – Old Master Watercolour Drawing (18th Century)

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This finely executed Old Master drawing portrays a seated man, captured with soft, expressive watercolour techniques characteristic of 18th-century European portraiture. Likely originating from Italy, the piece reflects the period's artistic emphasis on individual character and refined composition. Provenance: The Winfield Robbins print collection of Arlington, Massachusetts. Artist or Maker: European School Dimensions: 22 cm x 20 cm Medium: Watercolour Date: 18th century Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

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This delicate watercolour portrait depicts a young woman identified as "Virginia", rendered in a classical profile pose with soft modeling and muted earthy tones. Her head is adorned with a crown of sculpted roses, and she wears a finely pleated collar that reflects Renaissance or early Romantic influences in dress and styling. The work shows careful attention to facial expression and subtle shading, typical of 19th-century academic studies inspired by antique and allegorical themes. The inscription Virginia andrum appears both on the upper and lower sections of the sheet, suggesting a reference to a historical or literary figure, possibly the Roman maiden Virginia of Verginia, known from Livy's histories. This portrait belongs to the European School tradition, blending portrait study with idealized female representation. Artist or Maker: European School Dimensions: 24 cm × 16 cm Medium: Watercolour on Paper Date: 19th Century Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

European School – Virginia – Watercolour Portrait of a Woman Wearing a Floral Crown (19th Century)

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This original watercolour portrait depicts a man identified as "Didot", dressed in theatrical costume with a buttoned doublet and distinctive tricorn hat. Rendered in a warm sepia palette with dramatic chiaroscuro, the work captures both the character and stage presence of the sitter. According to the attached manuscript note, Didot was an actor from the provinces, performing in both dramatic and tragic roles. He was especially admired for his performances in Lyon and Marseille, where he gained a local following. The inscription below reads: "Mr Didot, acteur de province et un des acteurs tragiques de notre temps, a représenté souvent les grands rôles classiques à Lyon et à Marseille en 1830." The style and physiognomic attention suggest academic training within the French or Italian schools of the early 19th century. Artist or Maker: European School Dimensions: 24 cm × 18 cm Medium: Watercolour on Paper Date: c.1830 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

European School – Didot – Watercolour Portrait of a Provincial Actor in Tricorn Hat (c.1830)

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This is the second edition of the first volume (Tome I) of Les Champignons de France by André Maublanc, published as part of the Encyclopédie Pratique du Naturaliste (Volume XXII). The book includes 96 hand-coloured plates depicting edible and toxic mushroom species found across France. Designed for both amateurs and professional mycologists, it combines detailed taxonomic descriptions with practical observation guidance. Published by Paul Lechevalier, a respected scientific publisher based at 12, Rue de Tournon, Paris, this edition reflects the rich tradition of early 20th-century French natural history publishing. André Maublanc (1880–1958) was a renowned French mycologist and plant pathologist. He served as President of the Société mycologique de France and worked at the National Museum of Natural History in Paris. His contributions to the classification and study of fungi were highly influential in European scientific circles. He is particularly known for his accessible and richly illustrated field guides. Artist or Maker: André Maublanc Dimensions: 16 cm x 12 cm Medium: Illustrated Natural History Book with 96 Hand-Coloured Plates Date: c.1920s&nbsp; Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.