Pieter de la Court van der Voort (1664–1739) – Les Agrémens de la Campagne – Printed Book with Copperplate Engravings (1750)

Albertino Bernhard - Pencil Drawing - Nude study - Seated man - Academic Drawing - Hand signed and dated

Albertino Bernhard - Pencil Drawing - Study of a Middle-Aged Male Figure - 1839

Oliviero Toscani (b. 1942) after - Exhibition Poster - Large Portrait of Andy Warhol in Robe for Brooks Brothers, “Discover Andy - Engraving

Johann Joachim Becher (1635–1682) – Hand-coloured Botanical Engraving – Prunus, Pflaumenbaum & Pruna Cerea from Oder Kräuter-Buch (1662)

Giovanni Battista Piranesi (1720–1778) – "Title Page from Vasi, Candelabri" – Large Hand-colored Engraving (ca. 1778)

Giocondo Albertolli (1743–1839) & Michelangelo Mercoli (active c. 1790s) – Study of a Ram’s Head – Study based on bronze sculptures by Benvenuto Cellini, Florentine (1796)

Gerrit Baudartius (1565–1640) – Historical Engraving – "Sous Philippe Second, Gouvernant Don Loys de Requesens" (1616)

Charles Blunt (1803–1878) – Hand-Coloured Aquatint – The Laws of Planetary Motion from The Beauty of the Heavens (1849)

Charles Blunt (1803–1878) – Hand-Coloured Aquatint – The Earth, Inferior Planets and Asteroids from The Beauty of the Heavens (1849)

Belgium - Map of fortified city of Sluis; Georg Braun & Frans Hogenberg - Slvsa, Tevtonicae Flandriae Opp Admodvm Elegans - 1561-1580

André Maublanc (1880–1958) – Les Champignons de France, Tome I, 2ème Édition – Encyclopédie Pratique du Naturaliste (c.1920s)

Johan Petterson (b. 1957) - Silkscreen - Ved - Hand-signed and numbered 29/180

Antoni Tàpies (1923–2012) – Amor / Massa / Libertat – Double-Page Lithograph from Derrière Le Miroir No. 180 (1969)

Antoni Tàpies (1923–2012) – Crumpled Surface with Tear – Textured Lithograph from Derrière Le Miroir No. 180 (1969)

Eduardo Arroyo (1937–2018) – Man in Hat – Colour Large Lithograph from Derrière Le Miroir No. 208 (1974)

Nicolas Gaucher (1846–1911) - Set of 3 Botanical Prints – Cherry Varieties from Gaucher’s praktischer Obstbaumzüchter – 1894

Maria Sibylla Merian (1647–1717) – Botanical and Entomological Study – Hand-Coloured Copperplate Engraving, Plate XVIII (Early 18th Century)

Giuseppe Maria Terreni (1739–1811) – Opussum – Copperplate Engraving from Il Gazzettiere Americano (Livorno, 1763)

F. Havell (illustrator), J.W. Lowry (engraver), William Mackenzie (publisher) - Set of 2 Plates - Hand-Colored Engravings - Fishes – The Perch, Snap-head, Smaris, Flying Gurnard

William MacKenzie (1794–1868) – Set of 2 Plates – Fishes: Sunfish, Toadfish, Paddlefish & Chimaeras – Hand-Coloured Engravings (1859–1868)

William MacKenzie (1794–1868) – Set of 2 Plates – Fishes: Sharks, Rays, Gobies, Wolf Fishes – Hand-Coloured Engravings (1859–1868)

William MacKenzie (1794–1868) – Set of 2 Plates – Entomology: Coleoptera – Hand-Coloured Engravings (1859–1868)

Athanasius Kircher (1602–1680) – Typus Sympathicus Microcosmi cum Megacosmo – Engraved Diagram from Mundus Subterraneus (1665)

Pieter van der Aa (1659–1733) – View of Bremgarten, Switzerland – Copperplate Engraving (c.1715)

Pierre van der Aa (1659–1733) – Lausanne, Ville de la Suisse – Copper Engraving from Les Délices de la Suisse (1714)

Anders Fredrik Skjöldebrand (1749–1834) – Continuation de la descente des Monts Fjällen – Aquatint Engraving from Voyage Pittoresque à travers la Suède (c.1802)

Anders Fredrik Skjöldebrand (1749–1834) – Pied des Monts Fjällen du côté de la mer – Aquatint Engraving from Voyage Pittoresque à travers la Suède (c.1802)

Anders Fredrik Skjöldebrand (1749–1834) – Landscape at the Summit of the Fällén Mountains Amidst the Clouds – Engraving (1801–1802)

Anders Fredrik Skjöldebrand (1749–1834) – Descent from the Fällén Mountains Emerging from the Clouds – Engraving (1801–1802)

Charles Blunt (1803–1878) – The Sun at Midnight at the North Cape – Hand-Coloured Aquatint Engraving (1842)

Charles Blunt (1803–1878) – The Earth's Shadows – Hand-Coloured Aquatint Engraving (1842)

Charles Blunt (1803–1878) – The Apparent Retrograde Motion of the Planets – Hand-Coloured Aquatint Engraving (1842)

Pierre Du Val (1619–1683) – Map of Bohemia, Moravia, Silesia and Lusatia / Carte de Bohême, Moravie, Silesie et Lusace – Large Copperplate Engraving (Paris, c.1655)

Christoph Weigel the Elder (1654–1725) – Map of the Americas / Americae Aucta Delineatio – Hand-Coloured Copperplate Engraving (c.1720)

Christoph Weigel the Elder (1654–1725) – Map of Sweden and Surrounding Regions / Sueciae Regnum cum vicinis Regionibus – Hand-Coloured Copperplate Engraving (c.1720)

Gilles Robert de Vaugondy (1688–1766) – Map of the Helvetic Republic / La République Helvétique – Engraving on paper (c. 1798)

Gilles Robert de Vaugondy (1688–1766) – Map of the French Empire, Kingdom of Holland and Westphalia / Partie de l’Empire Français, Royaume de Hollande, Westphalie – France (1806)

Nicolas Sanson (1600–1667) – Map of the Succession States of Cleves and Jülich / Estats de la Succession de Cleves et Iuliers – Large Copperplate Engraving (Paris, 1648)

Guillaume Sanson (1633–1703) – Map of the Circle of Swabia / La Souabe ou le Cercle de Souabe – Large Copperplate Engraving (Paris, 1669)

Nicolas Sanson (1600–1667) – Map of Silesia, Moravia and Lusatia / Provinces unies à la Couronne de Bohême – Large Copperplate Engraving (Paris, 1654)

Christoph Weigel the Elder (1654–1725) – Map of the Kingdom of Portugal / Regnum Portugalliae et Algarbiae – Hand-Coloured Copperplate Engraving (c.1720)

Adam Friedrich Zürner (1679–1742) – Map of the Netherlands, Belgium and Northern France / Regnum Belgiæ accurate delineatæ – Hand-Coloured Copperplate Engraving (1729)

European School (18th Century) – Portrait of a Man in a Soft Hat – Watercolour with Ink (1788)

Isaac Taylor (1730–1807) – Engraving of Seventeen Marine Species – Including Whale, Narwhal, Swordfish, and Torpedo – From Fishes, Tab I (1788)

Sebastian Münster (1488–1552) – Hand-Coloured Woodcut – Wild Pigeon / De Livia Columba – Cosmographia (16th Century)

Giocondo Albertolli (1742–1839) - Large Antique Engraving - Raffaello Morghen Eagle with Outstretched Wings - 1778-1782

Raffaello Albertolli (1742–1839), Giovanni Mantelli – "Vulture in Natural Position" – Engraving (1796)