Christoph Weigel (1654–1725) – Map of the South Polar Region – Hand-Colored Engraving (Early 18th Century)

Sylvanus Urban– Map of Spain and Portugal / A Map of the Mouth of the River Tagus, or Harbour of the City of Lisbon – Copperplate Engraving (c. 1756)

Christoph Weigel (1654–1725) – Map of the Austrian Territories of the Holy Roman Empire / Germaniae Austriacae Tabula Generalis – Hand-Coloured Copperplate Engraving – 1718

Joan Miro (1893-1983) - Original Lithograph - La traversée du miroir - 1963

Pablo Picasso (1881–1973) – 4.10.59 – Picador and Bull – Sepia Ink Drawing from the Toros y Toreros Series (1959)

Pablo Picasso (1881–1973) – 4.10.59 – Three Studies of Bull and Horsemen – Sepia Ink Drawing from the Toros y Toreros Series (1959)

Johann Wilhelm Weinmann (1683–1741) – Cherry Branch with Metamorphosis of Butterfly – From Phytanthoza Iconographia – Botanical & Entomological Engraving (c.1737)

Johann Wilhelm Weinmann (1683–1741) – Caprifolium, Acacia & Curcuma – Hand-Coloured Copper Engraving (c.1737–1745)

Johann Wilhelm Weinmann (1683–1741) & Georg Dionysius Ehret (1708–1770) – Nicotiana Tabacum & Nigella Species – Hand-Coloured Copper Engraving (c.1737–1745)

Conrad Gesner (1516–1565), after Albrecht Dürer (1471–1528) – The Rhinoceros – Woodcut Engraving (1560, after 1515)

Giocondo Albertolli (1742–1839) – Large Aquatint – Eagle with Outstretched Wings – Aquatint with Etching (1778–82)

Ferdinand Piloty d. Ä. (1786–1844) – Die Verdammten (The Damned) – Chalk Lithograph in Brown (1814)

Adriaen Pietersz van de Venne (1589–1662) – Afbeelding van’t Leven (Image of Life) – Etching from Alle de Wercken by Jacob Cats (17th Century)

Adriaen Pietersz van de Venne (1589–1662) – Captis oculis, capitur bellua (The Beast Is Captured Through the Eyes) – Etching from Emblemata Moralia by Jacob Cats (17th Century)

Hartmann Schedel (1440–1514) – View of Bamberg and Mons Honagorum – Woodcut from the Nuremberg Chronicle (1493)

Charles Blunt (1803–1878) – The Parallax of the Planets – Chromolithograph (c.1840)

Charles Blunt (1803–1878) – Origin of the Asteroids – Chromolithograph (c.1840)

Charles Blunt (1803–1878) – Cometary Motion – Chromolithograph (c.1840)

Christoph Weigel (1654–1725) – Meilen-Messung Durch Behende Anweisung / Table of Measured Mile Distances Across Germany – Hand-Coloured Copper Engraving (c.1720)

Guillaume Delisle (1675–1726) – Map of the Kingdom of Poland and the Grand Duchy of Lithuania – Hand-Coloured Copper Engraving (1806 Edition, Paris)

Guillaume Delisle (1675–1726) & Philippe Buache (1700–1773) – World Map / Mappemonde – Hand-Coloured Double Hemisphere Engraving (c.1780s, published by Dezauche)

Christoph Weigel (1654–1725) – Plan of Fredericopolis / Ichonographia Fredericopoleos – (c.1720)

Samuel von Pufendorf (1632–1694) – Le Globe Céleste – Hand-Coloured Engraving (Late 17th Century)

Christoph Weigel (1654–1725) – Map of Ukraine, Cossack Territories, Wallachia and Moldavia / Ukrania seu Cosacorum Regio – (c.1720)

Frederik de Wit (1630–1706) – Map of the Ducatus Bavaricus et Confinia / Duchy of Bavaria and Adjacent Territories – Hand-Coloured Copper Engraving (c.1680)

Frederik de Wit (1630–1706) – Map of the Regnum Bohemia Eique Annexae Provinciae / Kingdom of Bohemia and Its Associated Provinces – Hand-Coloured Copper Engraving (c.1680)

Eduardo Chillida (1924–2002) – Derrière le Miroir No. 242 – Edition de tête with Two Signed Embossed Prints – Original Artist's Book (1980)

Marc Chagall (1887–1985) – Derrière le Miroir No. 225 – Original Cover Lithograph (1977)

Jean-Paul Riopelle (1923–2002) – Succédant au chaos des glaces – Color Lithograph (1965)

Marc Chagall (1887–1985) – Derrière le Miroir – Original Cover Lithograph (1950s–60s)

Valerio Adami (b. 1935) - Lithography from Derrière le Miroir - Abstract Figure with Architectural Forms – 1975

Henri Matisse (1869–1954) – Study of a Dancer – Charcoal Drawing (1949)

Shusaku Arakawa (1936–2010) – Derrière le Miroir No. 223 – Illustrated Edition with 5 Original Lithographs (1977)

Alexander Calder (1898–1976) – Abstract Figures in Red and Black – Color Lithograph (c.1970s)

Raoul Ubac (1910–1985) – Derrière le Miroir No. 130 – Original Color Lithographs (1962)

Alberto Giacometti (1901–1966) – Untitled Composition – Lithograph from Derrière le Miroir No. 65 (1954)

Alexander Calder (1898–1976) – Cover Design for Derrière le Miroir No. 156 – Color Lithograph (1965)

Adriaen van de Venne (after) – Emblem XIV: Amissa Libertate laetior (Sweeter in Captivity) – Copperplate Engraving from Alle de Wercken by Jacob Cats (1726)

Conrad Gessner (1516–1565) – De Turdis – Historiae Animalium – Hand-Coloured Engraving (16th Century)

Conrad Gessner (1516–1565) – De Glaucio – Historiae Animalium – Hand-Coloured Engraving (16th Century)

Conrad Gessner (1516–1565) – Turdus (Thrush) – Hand-Colored Woodcut Engraving from Historiae Animalium (1555)

Adriaen van de Venne (after) – Emblem XV: Fugiendo, non effugit – The Tortoise and the Burden of Self – Copperplate Engraving from Alle de Wercken by Jacob Cats (1726)

Juste Chevillet (1729–1790) – Ram's Horn (Plate XIV from Volume XII of Buffon's Histoire Naturelle) – Engraving (1764)

Adriaen van de Venne (1589–1662), after – Anatomical Lecture of Death – Copperplate Engraving from Alle de Wercken by Jacob Cats (1726)

Erik Dahlbergh – View of the Palace of Count Carl Piper in Stockholm – Engraving (1690s)

Giacomo Lauro (1572–1627) – Thermae Constantini Imperatoris – Hand-Colored Engraving (1641)

Pietro Santi Bartoli (1635–1700) – Thermae Novatianae Hodie Templum Pudentianae – Hand-coloured Engraving (c.1690s)

Giacomo Lauro (1572–1627) – Thermae Neronis et Alexandri Severi – Hand-Colored Engraving (1641)