Conrad Gessner (1516–1565) – Turdus (Thrush) – Hand-Colored Woodcut Engraving from Historiae Animalium (1555)

Adriaen van de Venne (after) – Emblem XV: Fugiendo, non effugit – The Tortoise and the Burden of Self – Copperplate Engraving from Alle de Wercken by Jacob Cats (1726)

Juste Chevillet (1729–1790) – Ram's Horn (Plate XIV from Volume XII of Buffon's Histoire Naturelle) – Engraving (1764)

Adriaen van de Venne (1589–1662), after – Anatomical Lecture of Death – Copperplate Engraving from Alle de Wercken by Jacob Cats (1726)

Erik Dahlbergh – View of the Palace of Count Carl Piper in Stockholm – Engraving (1690s)

Giacomo Lauro (1572–1627) – Thermae Constantini Imperatoris – Hand-Colored Engraving (1641)

Pietro Santi Bartoli (1635–1700) – Thermae Novatianae Hodie Templum Pudentianae – Hand-coloured Engraving (c.1690s)

Giacomo Lauro (1572–1627) – Thermae Neronis et Alexandri Severi – Hand-Colored Engraving (1641)

Jean-Baptiste Massé (1687–1767) after Peter Paul Rubens - Large Engraving - César n’admire qu’un astre unique – 1708

Jean-Baptiste Massé (1687–1767) after Peter Paul Rubens & Jean-Marc Nattier - Large Engraving - Dedie au Roy – 1708

Christoph Weigel (1654–1725) – Map of the Kingdom of Naples / Neapolitani Regni Tabula – Hand-Coloured Copperplate Engraving (1720)

Ambroise Tardieu (1788–1841) – Map of Genoa / Plan topographique et militaire de Gênes – France (Early 19th Century)

Philipp Clüver (1580–1622) – Map of Persia / Persia ex Adamo Oleario – Hand-Coloured Copperplate Engraving (17th Century)

Christoph Weigel the Elder (1654–1725) – Map of the Kingdom of Prussia / Regni Prussiæ Accurata Delineatio – Hand-Coloured Copperplate Engraving (1720)

Charles Wilson (1830–1900) & John Scott Hobbs – Chart of the North Sea – Large Lithograph (1883)

Nicolas Sanson (1600–1667) – Map of North America – Americqve Septentrionale - Antique Hand-Colored (17th Century)

Albertino Bernhard - Pencil Drawing - Nude study - Seated man - Academic Drawing - Hand signed and dated

Pablo Picasso (1881–1973) – Matadors Entering the Arena – Lithograph from Toros y Toreros (1961)

Pablo Picasso (1881–1973) – Picador and Matador in the Arena – Lithograph from Toros y Toreros (1961)

Pablo Picasso (1881–1973) – Torero and Bull – Lithograph from Toros y Toreros (1961)

Antoni Tàpies (1923–2012) – Amor / Massa / Libertat – Double-Page Lithograph from Derrière Le Miroir No. 180 (1969)

Jean-Paul Riopelle (1923–2002) – Abstract Lithograph with Organic Structures – Derrière Le Miroir – Color Lithograph (1974)

Alberto Giacometti (1901–1966) – Derrière Le Miroir No. 127 – Illustrated Art Booklet (1961)

Alexander Calder (1898–1976) – Composition with Red Circles and Black Orbs – Derrière Le Miroir – Color Lithograph (1966)

Alberto Giacometti (1901–1966) – Standing Nude Woman – Derrière Le Miroir – Lithograph (1961)

Adam Lonitzer (1528–1586) – Turnips and Wild Radishes – Hand-Coloured Botanical Woodcut from Kreuterbuch (c.1580s)

Adam Lonitzer (1528–1586) – Botanical Woodcuts of Peas and Beans – Hand-Colored Leaf from Kreuterbuch (Late 16th Century)

Anders Fredrik Skjöldebrand (1757–1834) – View of the Uleå River / Fleuve d’Uleå – Aquatint Engraving (1802)

Anders Fredrik Skjöldebrand (1749–1834) – Descent from the Fällén Mountains Emerging from the Clouds – Engraving (1801–1802)

Anders Fredrik Skjöldebrand (1749–1834) – Continuation de la descente des Monts Fjällen – Aquatint Engraving from Voyage Pittoresque à travers la Suède (c.1802)

Anders Fredrik Skjöldebrand (1749–1834) – Landscape at the Summit of the Fällén Mountains Amidst the Clouds – Engraving (1801–1802)

Ulrik Thersner (1779–1828) – View of Fredriksberg – Antique Engraving from Fordna och närvarande Sverige (1828–1867)

Ulrik Thersner (1779–1828) – Brattforssen in Sweden – Antique Engraving from Fordna och närvarande Sverige (1828–1867)

Andries Dirksz. de Putte – View of the Temple Mount and Surrounding Structures in Jerusalem – Engraving (18th Century)

Robert Bénard Demouchy (1728 – after 1785) – A Perforated Rock in Tolaga Bay, New Zealand – Engraving from Cook & Hawkesworth’s Voyages (1778–1785)

Quentin Pierre Chedel after François Boucher (1703–1770) – Frontispiece: La Lithologie et la Conchyliologie – Copperplate Engraving from L’Histoire naturelle éclaircie... by Dézallier d’Argenville

Charles Blunt – The Progress of an Eclipse – Chromolithograph (c.1840)

Charles Blunt – Eclipse of the Sun – Chromolithograph (c.1840)

Charles Blunt – The Moon’s Phases – Chromolithograph (c.1840)

Unknown – Antiphonary Leaf – Feast of the Expectation of the Blessed Virgin Mary – Manuscript on Vellum (1600s, Italy)

Achille Parboni - Nuova raccolta delle principali vedute antiche e, Italy, Rome

Johann Andreas Erdmann Maschenbauer - Der aus dem Reiche der Wissenschaften wohlversuchte Referendarius

Alexander Calder (1898–1976) – Derrière le Miroir No. 173 – Cover Lithograph – Sables (1968)

Joan Miro (1893-1983) - Aquarelles, Album Femmes, Hai-Ku - Derrière le Miroir Galerie Maeght- 1970s

Claude Garache (born 1929) – Études de nu – Red Lithograph (20th Century)

Joan Miró (1893–1983) – Abstract Composition with Loops and Arrows – Color Lithograph from Derrière le Miroir (1963)

Alexander Calder (1898–1976) – Abstract Composition with Red Arrow and Black Spiral – Color Lithograph from Derrière le Miroir (1966)

Alexander Calder – Original Lithograph – "Red/Yellow" (Derrière Le Miroir, 1972)