Adriaen Pietersz van de Venne – Allegory of the Shepherd-King ASPASIA – Etching

Unknown Artist – Hence the Heavenly Gifts: Allegory of Philology and Mercury (Hinc Dona Celestia) – Engraving (Early 18th Century)

Sebastian Münster (1488–1552) – View of Constantinople with Fortifications – Woodcut (Circa 1550)

Sebastian Münster (1488–1552) – Roe Deer and European Hedgehog (Animals of the German Lands) – Woodcut (Circa 1550)

Sebastian Münster (1488–1552) – Ram of Sardinia – Woodcut (Circa 1550)

Sebastian Münster (1488–1552) – Map of Sardinia and Corsica – Woodcut (Circa 1550)

Sebastian Münster (1488–1552) – Map of the Island and Kingdom of Sicily – Woodcut (Circa 1550)

Sebastian Münster (1488–1552) – True Depiction of Gorée Island with its Fortification – Woodcut (Circa 1570)

Sebastian Münster (1488–1552) – Dance of the Wends or Wandals – Woodcut (Circa 1550)

Sebastian Münster (1488–1552) – Noblemen and Peasant Figures in a Mountainous Landscape – Woodcut (Circa 1550)

Sebastian Münster (1488–1552) – Battle or Confrontation in the German Lands – Woodcut (Circa 1550)

Sebastian Münster (1488–1552) – Map of Holland and Friesland – Woodcut (Circa 1550)

Sebastian Münster (1488-1552) – Cagliari, the Capital in Sardinia – Woodcut (1550)

Sebastian Münster (1488-1552) – Of Italy. True Portrait of the Mighty Castle in Milan – Woodcut (1550)

Theodor de Bry (1528–1598) – Battle Between Indigenous Brazilian Tribes (Tupinamba) – Engraving (Circa 1592)

Theodor de Bry (1528–1598) – Indigenous Brazilian Celebration with Musical Notation (The Hœa hœa hœa Song) – Engraving (Circa 1592)

Theodor de Bry (1528–1598) – Indigenous Brazilian Dance and Song with Transcribed Music – Engraving (Circa 1592)

Theodor de Bry (1528–1598) – In the West Indies: Mourning Ceremony and Savage Customs – Engraving (Circa 1594)

Ambroise Paré (c. 1510–1590) – A Supplement of the Defects in Man's Body - Woodcut

Ambroise Paré (c. 1510–1590) – Of Monsters and Prodigies (Human Anatomical) - Engraving

Emanuel Sweerts (1552–1612) – Allegorical Title Page for Florilegium Amplissimum et Selectissimum (The Most Copious and Select Florilegium) – Engraving (1641)

Giacomo Lauro (ca. 1583–1650) – The Pyramid or Sepulchre of C. Cestius near the Gate of St. Paul – Hand-coloured Copperplate Engraving (Circa 1630)

Giacomo Lauro (ca. 1583–1650) – The Circus of Antoninus Caracalla (Circi Antonini Caracallae) – Hand-coloured Copperplate Engraving (Circa 1630)

Giacomo Lauro (ca. 1583–1650) – Ruins of the Amphitheater of Titus Statilius Taurus (Vestigia Amphitheatrii D. Statilii Tauri) – Hand-coloured Copperplate Engraving (Circa 1630)

Giacomo Lauro (ca. 1583–1650) – Ruins of the Temples of Hercules and Fortuna Virilis – Hand-coloured Copperplate Engraving (Circa 1630)

Giocondo Albertolli (1742–1839) – Set of 2: Ornamental Floral Motif and Ornamental Floral Design – Engraving (1770)

Giocondo Albertolli (1742–1839) – Set of 2: Geometric and Vegetal Design and Ceiling Design with Cherubs – Copper Engraving (1778–82)

Étienne Charpentier (1704–1793) – Plan and Elevation of an Organ Case – Engraving (Circa 1760)

Étienne Charpentier (1704–1793) – Elevation of the Organ Case of the Church of St. Séverin, Paris – Engraving (Circa 1760)

Daniel Meisner – View of Ylst (Ijlst, West Friesland) – Emblematic Engraving

John Harris (fl. 1686–1730) – Plans of the Old and New City of Peking, Metropolis of China – Copperplate Engraving (Circa 1730)

John Harris (fl. 1686–1730) – A View of a Pagan Temple (East Asian) – Copperplate Engraving (Circa 1730)

John Harris (fl. 1686–1730) – The Inhabitants of California in their Respective Dress – Copperplate Engraving (Circa 1730)

Emanuel Bowen (1693/4–1767) – The Famous Bridge and Fortress of Esseck over the Drave on the Border of Slavonia and Lower Hungary – Copperplate Engraving (Circa 1747)

Emanuel Bowen (1693/4–1767) – A Plan of the City of Canton on the River Ta-ho (Guangzhou) – Copperplate Engraving (Circa 1744)

Emanuel Bowen (1693/4–1767) – A Plan of the City of Canton on the River Ta-ho (Guangzhou) – Copperplate Engraving (Circa 1744)

Arthus Bertrand (fl. 1840s) – Village of Varlavan near Pondicherry – Lithograph (Circa 1845)

Arthus Bertrand (fl. 1840s) – Old Church in Malacca – Lithograph (Circa 1845)

Arthus Bertrand (fl. 1840s) – Interior of a Chinese Garden in Canton – Lithograph (Circa 1845)

Arthus Bertrand (fl. 1840s) – View of Macao – Lithograph (Circa 1845)

John Webber (1751–1793) – A View of the Town and Harbour of St. Peter and St. Paul, in Kamtschatka – Engraving (1784)

John Webber (1751–1793) – A View of Snug Corner Cove, in Prince William's Sound – Engraving - Large Folio (1784)

John Webber (1751–1793) – A Sea Otter – Engraving - Large Folio (1784)

John Webber (1751–1793) – Poulaho, King of the Friendly Islands, Drinking Kava – Engraving - Large Folio (1784)

John Webber (1751–1793) – The Inside of a House in Nootka Sound – Engraving - Large Folio (1784)

John Webber (1751–1793) – A Dance in Otaheite – Engraving - Large Folio (1784)

John Webber (1751–1793) – The Body of Tee, a Chief, as preserved after Death, in Otaheite – Engraving - Large Folio (1784)

Johan Nieuhof (1618–1672) – View of Malacca – Engraving (Circa 1750)