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Fine Art. Antique Prints, Maps and Drawings / 28-03-2026, 18:00 CET

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This edition of Derrière Le Miroir, published by Maeght Éditeur in Paris in 1971, is dedicated to the vibrant and surrealistic work of Richard Lindner. The publication includes several color lithographs and high-quality reproductions, highlighting Lindner’s iconic fusion of machine-like precision, pop eroticism, and theatrical figuration. The cover features two stylized figures locked in a symbolic and ambiguous embrace, referencing Lindner’s recurring interest in costumes, fetishism, and the dynamics of gender and power in urban settings. The booklet captures Lindner’s bold use of color, stylized outlines, and symbolic narratives, making it one of the most visually striking issues in the Derrière Le Miroir series. Richard Lindner (1901–1978) was a German-born painter who became a U.S. citizen after fleeing Nazi Germany and settling in New York. His unique style merged elements of German expressionism, American pop art, and surrealism. Known for his highly original portrayals of modern identity and sexuality, Lindner explored themes of alienation, fetish, and performance through mechanical forms and vivid palettes. His work played a vital role in post-war transatlantic modernism and remains celebrated for its psychological depth and provocative imagery. Artist or Maker: Richard Lindner. Dimensions: 38 cm x 28 cm. Medium: Illustrated Art Booklet. Date: 1971 SKL65_02-03-2026_21 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Richard Lindner – Derrière Le Miroir – Illustrated Art Booklet (1971)

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This original lithographic cover was published by Maeght Éditeur in Paris in 1979 for issue No. 240 of Derrière Le Miroir, entirely devoted to Edward Kienholz. The composition, printed on thick wove paper, features a juxtaposition of speaker components and reflective planes in tones of black, yellow, and metallic gray. This visual motif mirrors Kienholz's interest in media, communication systems, and objecthood—central concerns of his assemblage practice. His engagement with themes of surveillance, technology, and institutional control is abstracted here into a striking modernist graphic. Edward Kienholz (1927–1994) was a leading figure in American installation art and assemblage. He first gained critical attention in the 1960s for provocative works addressing race, poverty, war, and American consumer culture. His work is housed in major institutions including MoMA, LACMA, and the Stedelijk Museum. Kienholz collaborated with his wife, Nancy Reddin Kienholz, from the 1970s onward, developing a rich visual language of social critique through immersive environments. Artist or Maker:Edward Kienholz. Dimensions:38 cm x 28 cm. Medium:Lithographic Print (Cover). Date:1979 SKL65_02-03-2026_20 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Edward Kienholz – Derrière Le Miroir No. 240 – Lithographic Cover Design

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"Acropole d'Athènes Face Ouest Restauration" depicts a reconstructed view of the western facade of the Athenian Acropolis, featuring the Propylaea and the Parthenon in their idealized classical state. This hand-coloured lithograph was produced for the work Histoire des Grecs by Victor Duruy, which was published by Hachette in Paris between 1887 and 1889. The image serves as an archaeological restoration intended to visualize the architectural grandeur of ancient Greece for a 19th-century audience. It reflects the era's significant interest in classical antiquity and the systematic study of historical monuments. Marcel Lambert was a prominent French architect and illustrator who achieved recognition for his meticulous architectural drawings and restoration projects. He was a student of the École des Beaux-Arts and won the prestigious Prix de Rome in 1873, which allowed him to study ancient structures in Italy and Greece. Throughout his career, he focused on the documentation and preservation of historic buildings, often contributing detailed plates to major scholarly publications. His artistic style is characterized by technical precision and a commitment to historical accuracy in architectural representation. Artist or Maker:Marcel Lambert. Dimensions:Approximately 27 cm x 35 cm. Medium:Hand-coloured lithograph. Date:1887. SKL67_12 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Marcel Lambert (1847-1914) – View of the Acropolis of Athens - Hand-coloured lithograph (1887)

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This original lithograph by Valerio Adami was created for the 1970 edition of&nbsp;Derrière Le Miroir&nbsp;(No. 188), published by Maeght Éditeur in Paris. Adami’s distinctive style — characterized by bold black outlines, flat color fields, and schematic forms — is on full display in this striking composition. The image depicts a stylized interior with fragmented body parts, abstract furnishings, and gestural color applications in yellow, green, and purple. The signature “Adami” appears integrated within the work. Valerio Adami (born 1935) is a celebrated Italian painter and printmaker associated with postmodern figuration. A student of Felice Carena and inspired by artists like Fernand Léger, Adami developed a graphic style that combines narrative and formalism. He gained international recognition in the 1960s and has exhibited widely across Europe and the Americas. His works are held in major public and private collections worldwide. Artist or Maker:Valerio Adami Dimensions:51 cm x 61 cm Medium:Original Lithograph Date:1970 (Published by Maeght Éditeur in&nbsp;Derrière Le Miroir&nbsp;No. 188) SKL65_02-03-2026_15 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Valerio Adami – Untitled (Interior Scene) – Original Lithograph

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A striking exhibition poster for Upptäck Andy Warhol! ("Discover Andy Warhol!") held at Moderna Museet in Stockholm from February 9 to May 4, 2008. The design features one of Warhol’s Polaroid-style portraits, rendered in a large vertical format that emphasizes his enduring presence in visual culture. The minimalist layout and use of retro-modern typography reflect both Scandinavian design sensibilities and the stark immediacy of Warhol’s late-career public image. This poster was produced specifically for the Stockholm exhibition and remains a rare collectible artifact from one of the most significant European retrospectives of the pop art icon. Andy Warhol (1928–1987) was a leading figure in the Pop Art movement. He is best known for his bold, colorful depictions of consumer goods and celebrities, such as the Campbell's Soup Cans and Marilyn Monroe series. Warhol blurred the lines between high art and mass culture, using techniques like silkscreen printing to emphasize repetition and commercialization. His studio, The Factory, became a hub for avant-garde artists, musicians, and socialites, making him a cultural icon of his time. Artist or Maker: Andy Warhol Dimensions: 101 cm x 70 cm Medium: Lithograph Date: 2008 SKL65_02-03-2026_14 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Andy Warhol (1928–1987) – Lithograph – Exhibition Poster from Moderna Museet

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This original edition of Derrière Le Miroir is devoted entirely to Gérard Titus-Carmel’s Suite Narwa, published by Maeght Éditeur in Paris in 1976. The unnumbered issue features a series of colour lithographs and printed reproductions reflecting Titus-Carmel’s intricate, conceptual works focused on fragile constructions, broken symmetry, and the poetic logic of collapse. His architectural and geometric motifs are rendered with exceptional graphic delicacy, combining the analytical with the ephemeral. The publication belongs to the renowned Derrière Le Miroir series, which showcased 20th-century masters through specially commissioned lithographs and essays, forming a cornerstone of postwar artist-publisher collaboration in France. Gérard Titus-Carmel (b. 1942) is a leading French painter and writer associated with lyrical abstraction and conceptual figuration. Gaining international recognition in the 1970s, his work is marked by series-based exploration of objects and their transformation, decay, and material presence. His visual practice is often accompanied by poetic and theoretical writings, reflecting his dual engagement with image and text. Titus-Carmel’s work has been exhibited widely and is represented in major museum collections across Europe. Artist or Maker: Gérard Titus-Carmel. Dimensions: 38 cm x 28 cm. Medium: Illustrated Art Booklet (Color Lithographs and Reproductions). Date: 1976 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Gérard Titus-Carmel – Suite Narwa – Derrière Le Miroir – Illustrated Booklet

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This original edition of Derrière Le Miroir, published in 1980 by Galerie Maeght, is dedicated to the work of German painter Konrad Klapheck. Known for his surreal depictions of typewriters, sewing machines, telephones and bicycles, Klapheck here presents a series of works that blur the line between objectivity and subconscious tension. The volume includes striking full-page illustrations in both colour and black and white. The text is presented in French, German, and English. The spine shows minor damage and there is light foxing present, but overall the book remains in fine collectible condition. Artist or Maker:Konrad Klapheck. Dimensions:28 cm x 38 cm. Medium:Offset-printed artist book with autograph. Date:1980 SKL65_02-03-2026_12 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Konrad Klapheck – Derrière Le Miroir: Klapheck – Illustrated Artist Book

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This original lithograph by Arman Fernandez features an abstract composition characterized by overlapping linear forms and gestural splashes in earthy tones. The print is hand-signed by the artist and numbered, indicating its limited edition nature. Arman, a French-American artist associated with Nouveau Réalisme, was renowned for his exploration of accumulation, destruction, and transformation of objects in both painting and sculpture. This work reflects his dynamic visual language and experimental approach to printmaking during the mid-20th century. Artist or Maker:Arman Fernandez Dimensions:65 cm x 48 cm Medium:Lithograph on paper Date:Mid 20th Century SKL65_02-03-2026_11 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Arman Fernandez – Abstract Composition – Signed and Numbered Lithograph

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”Street Improvements 1 (D-Dog)” Silkscreen on paper, limited edition of 150 exemplars, hand signed and numbered 26/150. Dean Stockton, known as DFace, creates provocative artworks spanning paintings, prints, sculptures, and murals that critique mainstream consumerism and the American dream using a Pop aesthetic. Influenced by New York's graffiti and skateboard cultures, his pieces often reinterpret iconic figures like Mickey Mouse and Kurt Cobain with symbols of mortality and excess. DFace's exhibitions span major cities worldwide, and he has collaborated with brands such as Haig Club, Triumph Motorcycles, and Uniqlo. Artist of MakerDean Stockton MediumColour giclée Date2008 SKL65_02-03-2026_10 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

D*Face aka Dean Stockton - Street Improvements 1 (D-Dog) - Limited Edition

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This original lithograph in colors by Bengt Lindström originates from a limited edition of 200, hand-signed and numbered by the artist. The print was published in Paris in the 1970s. Bengt Lindström (1925-2008) was a Swedish painter known for his large, vibrant, and expressive works that often featured mythological and human figures rendered in bold, vivid colours. Lindström's style is characterised by its raw, powerful expressionism, drawing inspiration from his Nordic heritage and incorporating elements of folk art and ancient mythology. Artist or Maker:Bengt Lindström. Dimensions:76 cm x 57 cm. Medium:Lithography. Date:circa 1975–1985. SKL65_02-03-2026_9 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Bengt Lindström (1925-2008) - Lithograph - Hand-signed - Numbered - 151/200

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This offset print, titled Floral Tribute, is a late work by the artist Marc Chagall. The print depicts a central figure holding a large bouquet of flowers, flanked by two other figures, with a crescent moon and abstract forms in the background. The work features Chagall's characteristic use of vibrant colors, dynamic lines, and motifs such as celestial elements and bouquets. Marc Chagall was a Russian-French artist. He was a pioneer of modern art and a key figure in the development of Symbolism and Expressionism. His work spans a wide range of mediums, including painting, drawing, lithography, and stained glass. His art often explores themes of love, memory, and spiritual life, using a unique, dreamlike visual language. Artist or Maker: Marc Chagall. Dimensions: Approximately 32 × 25 cm. Medium: offset print. Date: 20th century. SKL65_02-03-2026_7 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Marc Chagall (1887–1985),after – Floral Tribute – offset print (20th century)

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This offset print, titled Intimacy, is a quintessential example of Marc Chagall's dreamlike and surrealist style. The composition features a central figure of a woman with vibrant blue hair, holding a small child, set against a background of whimsical figures, a friendly goat, and a small blue house. The work's floating forms, vibrant colour palette, and mix of human and animal imagery create a narrative that speaks to themes of love, memory, and spiritual connection. Marc Chagall was a Belarusian-French artist who became one of the most significant and influential modernists of the 20th century. His work is celebrated for its unique blend of Cubism, Symbolism, and Surrealism, creating a distinctive style characterized by vibrant colours, dreamlike imagery, and a strong sense of narrative. His art often explored themes of love, memory, and the spiritual, drawing heavily from his childhood in a Jewish community in Belarus. Artist or Maker:Marc Chagall,after Dimensions:Approximately 26 × 20 cm Medium: offset print. Date: 20th century. SKL65_02-03-2026_5 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Marc Chagall (1887–1985),after – Intimacy  – offset print (20th century)

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This offset print depicts a whimsical still life with a house of cards and a pendulum clock on a table, set against a striped green background. The composition, titled "Château de cartes" (House of Cards), uses bold, dark lines and a flat, graphic style, which are hallmarks of Buffet's distinctive aesthetic. The presence of the clock and the precarious house of cards evokes themes of the fragility of existence and the relentless passage of time, a common motif in his later work. Bernard Buffet was a highly prolific and celebrated French painter, printmaker, and illustrator. He became a prominent figure in the post-war art scene, known for his unique style characterized by angular lines, a limited and somber color palette, and expressive figurative subjects. He rose to international fame in the mid-20th century and was a master of his craft, producing a vast body of work that included portraits, still lifes, and landscapes. Artist or Maker:Bernard Buffet Dimensions:Approximately 26 × 20 cm Medium: offset print. Date: 20th century. SKL65_02-03-2026_4 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Bernard Buffet (1928–1999),after – Château de cartes (House of Cards)

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DLM published in April 1966 for the exhibition of 254 works in homage to the Revue Blanche at the Galerie Maeght. Text by Annette Vaillant and Jacques Salomon. 48 unbound pages. 3 colour lithographic reproductions after Bonnard, Roussel, and Vuillard. 8 black lithographic reproductions after Toulouse-Lautrec, Vuillard, Bonnard, Seurat, and others. Original print run. Artist or Maker:Pierre Bonnard Dimensions:38 cm x 28 cm Medium:Offset Print, Illustrated Album Date:1894 SKL65_02-03-2026_3 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Pierre Bonnard  – La Revue Blanche – Complete Portfolio – Offset Print

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Framed etching ”Summer" by Anders Zorn, signed and dated in the plate Zorn 1907. Asplund 211. H&amp;H 248. ZG 211. From "Ord och Bild" 1910.&nbsp; Anders Zorn (1860-1920) was a Swedish painter and etcher known for his portraits, nudes, and depictions of water. He was one of Sweden's most famous artists and achieved international success during his lifetime. Artist of MakerAnders Zorn MediumEtching Date1910 SKL65_02-03-2026_1 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Anders Zorn (1860-1920) - Framed Etching ”Summer" signed in plate

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This vibrant color offset print depicts a stylized bullfighting scene in a circular arena. The composition features a central group of figures, including a picador on horseback and a bull, rendered with energetic, gestural black lines against a brilliant yellow sun-like background.&nbsp; Pablo Picasso was a towering figure in 20th-century art, known for his relentless innovation and mastery across various mediums. Bullfighting was a lifelong passion and a recurring theme in his work, symbolizing the primal forces of life, death, and cultural identity. His Toros y Toreros series, created during the late 1950s, reflects his ability to capture the movement and drama of the corrida with a simplified, expressive visual language. Picasso’s graphic works from this period often utilize bold primary colors and spontaneous line work to convey the ritualistic energy of the bullring, securing his legacy as a central chronicler of Spanish tradition within the modern art movement. Artist or Maker: Pablo Picasso Dimensions: Approximately 31 cm x 24 cm Medium: Lithography Date: 20th Century SKL57_03-01-2026_131 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Pablo Picasso (1881–1973) – Toros y Toreros (Bulls and Bullfighters) – Lithography (20th Century)

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This offset print is a striking still life, titled Still Life of Iris, depicting a tall, stylized lamp and a vase of blue irises on a tabletop. The work is characterized by Buffet's distinctive graphic style, featuring bold, angular lines and a textured, expressive background. The use of a limited color palette of yellow, green, and blue, applied in a flat, unshaded manner, emphasizes the composition's structure and form, making it a powerful example of post-war figurative art. Bernard Buffet was a highly prolific and celebrated French painter, printmaker, and illustrator. He became a prominent figure in the post-war art scene, known for his unique style characterized by angular lines, a limited and somber color palette, and expressive figurative subjects. He rose to international fame in the mid-20th century and was a master of his craft, producing a vast body of work that included portraits, still lifes, and landscapes. Artist or Maker:Bernard Buffet Dimensions:Approximately 26 × 20 cm Medium: offset print. Date: 20th century. SKL57_03-01-2026_44 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Bernard Buffet (1928–1999),after – Still Life of Iris – offset print (20th century)

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Collotype "Sitzende Frau" (Sitting Frau) by Gustav Klimt, after. Gustav Klimt (1862-1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. He is best known for his paintings, murals, sketches, and other artworks, especially "The Kiss" and "Portrait of Adele Bloch-Bauer I." Artist of Maker: Gustav Klimt. Dimensions: 51 x 32 cm. Medium: Collotype printed in red. Date: 20th century DA_D1_2026-03-11_21 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Gustav Klimt (1862-1918) - Collotype Sitzende Frau (Sitting Frau)

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"Standing Female Nude" This lithograph features a delicate study of a standing female figure rendered with highly expressive, fluid lines. The composition focuses on the rhythmic contours of the torso and limbs, with the upper body slightly arched and an arm extended upwards, emphasizing physical presence and movement. The vertical hatching and energetic line work capture a sense of immediacy and intimate observation characteristic of the artist's private drawings. This work was part of a posthumous series of prints produced in Vienna by Gilhofer and Ranschburg shortly after the artist's death. Gustav Klimt was a leading Austrian Symbolist painter and a founding member of the Vienna Secession movement. He is renowned for his decorative, ornate style and his prominent use of gold leaf during his Golden Phase, most famously seen in his masterpiece The Kiss. Klimt's work often focused on the female body, blending frank eroticism with sophisticated psychological depth and complex patterns. His extensive body of drawings and preparatory sketches provides a profound insight into his creative process and his dedication to capturing the elegance and vulnerability of his subjects. Klimt's influence on modern art remains significant, as he bridged the gap between traditional nineteenth-century academic art and the avant-gardemovements of the twentieth century. Artist or Maker: Gustav Klimt, after. Dimensions: Approximately 59 cm x 42 cm. Medium: Lithograph. Date: 20th century. DAHLSTROM_25/26.02_3 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Gustav Klimt (1862-1918) – Standing Female Nude – Lithograph (20th century)

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This intimate graphic work depicts a seated female figure, rendered with the delicate and expressive line work characteristic of the artist's private drawings. The subject is portrayed wearing a high-collared garment with voluminous, flowing sleeves that cascade around her form. Her face is indicated with minimal, fine lines, capturing a quiet and contemplative expression. The composition focuses on the rhythmic contours of the drapery and the graceful posture of the figure, utilizing the negative space of the warm-toned paper to emphasize the lightness of the touch.&nbsp; Gustav Klimt was the leading figure of the Vienna Secession and a master of the Symbolist movement. While internationally renowned for his golden, mosaic-like paintings, Klimt was also an extraordinarily prolific and skilled draughtsman who used drawing as a primary means of exploring the female form and human emotion. His drawings are celebrated for their modern sensibility, psychological depth, and mastery of the continuous line. These graphic studies provide a vital window into Klimt's artistic process and his ability to convey elegance and sensuality through simplified, elegant forms, securing his legacy as one of the most important artists of the early modern era. Artist or Maker: Gustav Klimt Dimensions: Approximately 49 cm x 42 cm Medium: Lithograph Date: 20th Century DAHLSTROM_25/26.02_2 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.