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Fine Art. Antique Prints, Maps and Drawings / 21-03-2026, 18:00 CET

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"Pl. XXXIX". This lithograph presents two scientific views of a fossilized ammonite shell. The illustration on the left provides a lateral perspective showing the planispiral coiling and the intricate ribbing of the outer shell, while the figure on the right offers a ventral view showing the width and curvature of the specimen. These plates were created using the heliogravure process to ensure maximum paleontological accuracy in documenting the geological finds of the late nineteenth century. This work comes from the specialized treatise Recherches sur la craie supérieure, published by the Imprimerie Nationale in Paris in 1894. Albert de Grossouvre was a French geologist and engineer who made fundamental contributions to the stratigraphy of the Cretaceous period. He served as an engineer for the Corps des Mines and devoted much of his career to the mapping and classification of geological layers in France. His meticulous research on ammonites allowed for more precise dating of rock formations and remains a cornerstone of European paleontology. Grossouvre was recognized for his ability to combine field observations with rigorous taxonomic descriptions in his scientific publications. Artist or Maker: Albert de Grossouvre. Dimensions: Approximately 30 cm x 23 cm. Medium: Lithograph. Date: 1894. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Albert de Grossouvre (1849–1932) – Study of an Ammonite Fossil – Lithograph (1894)

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"Pl. XXXVIII". This lithograph displays a group of four scientific illustrations featuring fossilized ammonite specimens. The figures show various perspectives of the extinct cephalopods, including lateral views that highlight the deep, radiating ribs and prominent umbilical centers, as well as a ventral fragment showing the curvature of the outer shell. Produced using a high-precision heliogravure method, the plate captures the textural details and geological matrix of the fossils for scientific study. This work comes from the specialized treatise Recherches sur la craie supérieure, published by the Imprimerie Nationale in Paris in 1894. Albert de Grossouvre was a French geologist and engineer who made fundamental contributions to the stratigraphy of the Cretaceous period. He served as an engineer for the Corps des Mines and devoted much of his career to the mapping and classification of geological layers in France. His meticulous research on ammonites allowed for more precise dating of rock formations and remains a cornerstone of European paleontology. Grossouvre was recognized for his ability to combine field observations with rigorous taxonomic descriptions in his scientific publications. Artist or Maker: Albert de Grossouvre. Dimensions: Approximately 30 cm x 23 cm. Medium: Lithograph. Date: 1894. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Albert de Grossouvre (1849–1932) – Studies of Ammonite Fossils – Lithograph (1894)

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"Spondyle Spondylus." This eighteenth-century engraving provides a scientific illustration of distinct specimens of the Spondylus genus, showcasing the morphological diversity and irregular growth patterns characteristic of these thorny oysters. The work was published in Paris as part of the Encyclopedie Methodique, an ambitious 201-volume undertaking by Charles-Joseph Panckoucke. Panckoucke was an enterprising publisher who established his career by collaborating on the Encyclopedie of Diderot and d'Alembert, a controversial and widely popular reference that became a definitive record of eighteenth-century European civilization. Artist or Maker: Charles-Joseph Panckoucke. Dimensions: Approximately 29 cm x 21 cm. Medium: Engraving. Date: 1791. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Charles-Joseph Panckoucke (1736–1798) – Study of Spondylus Shell Morphology – Engraving (1791)

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This eighteenth-century engraving provides a scientific illustration of distinct specimens of the Oyster Varieties, showcasing the diversity and irregular growth patterns characteristic of these thorny oysters. The work was published in Paris as part of the Encyclopedie Methodique, an ambitious 201-volume undertaking by Charles-Joseph Panckoucke. Panckoucke was an enterprising publisher who established his career by collaborating on the Encyclopedie of Diderot and d'Alembert, a controversial and widely popular reference that became a definitive record of eighteenth-century European civilization. Artist or Maker: Charles-Joseph Panckoucke. Dimensions: Approximately 29 cm x 21 cm. Medium: Engraving. Date: 1791. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Charles-Joseph Panckoucke (1736–1798) – Study of Thorny Oyster Varieties (Spondylus) – Engraving (1791)

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"Picasso Un demi-siecle de Livres Illustres." This lithographic exhibition poster features a dynamic, stylized profile portrait of a woman composed of intricate black and brown linear strokes. This print was published by Mourlot Freres in the book Kunst im Plakat der Pariser Schule by Andre Sauret in 1959. The publication serves as a comprehensive visual record of the vibrant graphic design and poster art of the Parisian school. Pablo Picasso was a Spanish painter, sculptor, and printmaker who stands as one of the most influential figures in twentieth-century art. As a co-founder of Cubism and a pioneer in various stylistic movements including Symbolism and Surrealism, he fundamentally reshaped the course of modern visual culture. Throughout his long career, he maintained a prolific output in printmaking, collaborating closely with master printers like Fernand Mourlot to elevate the exhibition poster to a legitimate art form. His works are characterized by a restless innovation in form and a mastery of line that allowed him to oscillate between classical figuration and radical abstraction. Artist or Maker: Pablo Picasso, after. Dimensions: Approximately 31 cm x 24 cm. Medium: Lithograph&nbsp;. Date: (1959). Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Pablo Picasso (1881-1973),after – Exhibition Poster for Galerie H Matarasso – Lithograph (1959)

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"Joan Miro bois graves pour A Toute Epreuve de Paul Eluard." This lithographic exhibition poster features a composition of abstract red and green shapes overlaid onto a textured gray woodgrain background. The artwork advertises a 1959 exhibition at Galerie Berggruen and Cie in Paris, showcasing the artist's woodcut illustrations for a book of poetry. This print was published by Mourlot Freres in the book Kunst im Plakat der Pariser Schule by Andre Sauret in 1959. The publication serves as a comprehensive visual record of the vibrant graphic design and poster art of the Parisian school. Joan Miro was a Spanish painter, sculptor, and ceramicist internationally recognized for his surrealist and abstract works. He developed a highly personal visual language characterized by organic forms, bold colors, and a playful, dreamlike quality. Miro frequently collaborated with poets and writers, producing numerous illustrated books and lithographic prints. His graphic output was instrumental in defining the aesthetic of the twentieth-century avant-garde. Artist or Maker: Joan Miro,after Dimensions: Approximately 31 cm x 24 cm. Medium: Lithograph. Date: 1959. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Joan Miro (1893–1983),after – Exhibition Poster for Berggruen and Cie – Lithograph (1959)

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"Madame de Pompadour." This lithographic poster features a vibrant composition of cut-out paper shapes, depicting a stylized female face framed by geometric and organic motifs in striking colors. The artwork was originally created to announce an evening reception at the Pavillon de Marsan in Paris. This print was published by Mourlot Freres in the book Kunst im Plakat der Pariser Schule by Andre Sauret in 1959. The publication serves as a comprehensive visual record of the graphic design and poster art of the Parisian school. Henri Matisse was a French painter, draftsman, sculptor, and printmaker known for his revolutionary use of color and fluid draftsmanship. He emerged as the leading figure of the Fauvist movement in the early twentieth century, profoundly influencing the course of modern art. In his later years, despite physical limitations, he developed the innovative cut-out technique, arranging painted paper to create dynamic and monumental compositions. His extensive body of work includes numerous lithographs and posters that celebrate the joy of life and visual harmony. Artist or Maker: Henri Matisse,after Dimensions: Approximately 31 cm x 24 cm. Medium: Lithograph. Date: 1959. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Henri Matisse (1869-1954),after – Exhibition Poster for Pavillon de Marsan – Lithograph (1959)

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"Fernand Leger." This lithographic exhibition poster features a composition of two figures rendered in heavy black outlines, overlaid with bold, primary-colored shapes in red, yellow, and blue. The artwork advertises a retrospective of the artist's work at the Musee de Lyon, held in conjunction with the Festival Lyon-Charbonnieres. This print was published by Mourlot Freres in the book Kunst im Plakat der Pariser Schule by Andre Sauret in 1959. The publication serves as a comprehensive visual record of the vibrant graphic design and poster art of the Parisian school. Fernand Leger was a French painter, sculptor, and filmmaker whose work profoundly influenced the development of Cubism and later pop art movements. He initially trained as an architect before turning to painting, developing a distinct style that emphasized cylindrical and tubular forms, often dubbed "tubism." His later works celebrated modern industry, urban life, and the working class, employing bold outlines and vibrant, unmodulated colors. Leger's graphic designs, including his numerous posters, are celebrated for their clarity and dynamic, mechanical rhythm. Artist or Maker: Fernand Leger,after Dimensions: Approximately 31 cm x 24 cm. Medium: Lithograph. Date: 1959. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Fernand Leger (1881–1955),after – Exhibition Poster for Musee de Lyon – Lithograph (1959)

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"Chagall Ceramiques Sculptures et les Fables de la Fontaine." This lithographic exhibition poster features a romantic embrace between two figures, with the woman holding a bouquet of flowers, set against a dark, textured background illuminated by a prominent white moon. The artwork advertises a exhibition of the artist's ceramics, sculptures, and illustrations for the Fables of La Fontaine at the Galerie Maeght in Paris. This print was published by Mourlot Freres in the book Kunst im Plakat der Pariser Schule by Andre Sauret in 1959. The publication serves as a comprehensive visual record of the vibrant graphic design and poster art of the Parisian school. Marc Chagall was a Russian-French artist of Belarusian Jewish descent who became a pioneer of modernism and created works in nearly every artistic medium. He synthesized elements of Cubism, Symbolism, and Fauvism to develop a highly personal, dreamlike visual language heavily influenced by his early life in Eastern Europe. Throughout his long career, Chagall produced numerous stained glass windows, paintings, ceramics, and large-scale public installations. His extensive lithographic output, often created in collaboration with the Mourlot studio, remains a cornerstone of twentieth-century printmaking. Artist or Maker: Marc Chagall. Dimensions: Approximately 31 cm x 24 cm. Medium: Lithograph. Date: 1959. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Marc Chagall (1887-1985),after – Exhibition Poster for Galerie Maeght Paris – Lithograph (1959)

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"Theogonie." This lithographic exhibition poster features an abstract, olive-green silhouette of a profile set against a solid black rectangular background, adorned with pale, intertwining linear motifs above and below the central figure. The artwork advertises a showcase of the artist's works related to Hesiod's Theogony at the Galerie Maeght in Paris. This print was published by Mourlot Freres in the book Kunst im Plakat der Pariser Schule by Andre Sauret in 1959. The publication serves as a comprehensive visual record of the vibrant graphic design and poster art of the Parisian school. Georges Braque was a major twentieth-century French painter, collagist, draftsman, printmaker, and sculptor. Along with Pablo Picasso, he is universally recognized for developing the artistic movement known as Cubism. His work throughout his life focused heavily on still lifes and the exploration of form, space, and perspective through fragmented geometric shapes and muted color palettes. In his later years, Braque produced significant graphic works and book illustrations, often incorporating mythological themes and classical fluid line drawings into his compositions. Artist or Maker: Georges Braque,after Dimensions: Approximately 31 cm x 24 cm. Medium: Lithograph. Date: 1959. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Georges Braque (1882-1963),after – Exhibition Poster for Theogonie at Galerie Maeght – Lithograph (1959)

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"Camellias in Bloom". This work portrays a vibrant arrangement of red, white, and pink camellia blossoms amidst dark green foliage. The woodblock print utilizes traditional multi-block techniques to achieve rich color saturation and delicate shading on the petals. This piece belongs to a botanical series published by Unsodo in Kyoto and was printed by Sagi Keizo using the original woodblocks. The composition reflects the transition of Japanese floral art toward a more naturalistic and vivid style. Tanigami Konan was a Japanese painter and printmaker active during the Taisho and early Showa eras. He was a prominent figure in the Nihon-ga movement and specialized in kacho-e, the traditional genre of bird and flower motifs. Konan was among the first artists to document western floral varieties in Japan, blending traditional woodblock artistry with western botanical realism. His extensive collaborations with the publisher Unsodo resulted in several influential botanical albums that documented flora with technical precision. Artist or Maker: Tanigami Konan. Dimensions: Approximately 36 cm x 49 cm. Medium: Woodblock print. Date: 1923. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Tanigami Konan (1879–1928) – Camellias in Bloom – Woodblock print (1923)

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"Flowering Plum Branches". This work depicts the graceful intertwining of red and white flowering plum branches against a neutral background. The woodblock print demonstrates a masterful use of saturated pigments for the deep red blossoms and delicate line work for the white petals and budding tips. This piece was published by Unsodo in Kyoto as part of a botanical series and was produced using traditional multi-block printing methods to create subtle depth and texture. The composition emphasizes the elegant, linear growth patterns and seasonal beauty associated with early spring in Japan. Tanigami Konan was a Japanese painter and printmaker active during the Taisho and early Showa eras. He was a prominent figure in the Nihon-ga movement and specialized in kacho-e, the traditional genre of bird and flower motifs. Konan was among the first artists to document western floral varieties in Japan, blending traditional woodblock artistry with western botanical realism. His extensive collaborations with the publisher Unsodo resulted in several influential botanical albums that documented flora with technical precision. Artist or Maker: Tanigami Konan. Dimensions: Approximately 36 cm x 49 cm. Medium: Woodblock print. Date: 1923. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Tanigami Konan (1879–1928) – Flowering Plum Branches – Woodblock print (1923)

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"Botanik XVIII". This work illustrates several distinct plant species, beginning with a detailed study of a Cyclamen, showing its characteristic marbled leaves, nodding pink flowers, and underground tuberous root system. The central and lower sections of the plate feature woody branches with developing fruits, including cross-sections that reveal seed arrangements and internal pulp structure. The chromolithograph includes technical line drawings of floral parts and ovaries to assist in scientific classification. This piece was printed in Vienna by S. Czeiger and published by Verlag v. Alfred Hölder as part of a natural history atlas intended for academic use. Gustav von Hayek was an Austrian naturalist and educator known for his contributions to the documentation of flora and fauna in Central Europe. He served as a professor in Vienna and authored several significant textbooks and atlases that standardized botanical and zoological education during the late nineteenth century. Hayek collaborated with specialized printing houses like S. Czeiger to produce high-quality visual aids that combined scientific rigor with artistic clarity. His legacy remains centered on his efforts to make complex natural sciences accessible through meticulous and aesthetically refined illustrations. Artist or Maker: Gustav von Hayek. Dimensions: Approximately 42 cm x 29 cm. Medium: Chromolithograph. Date: (c. 1885). Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Gustav von Hayek (1836–1911) – Botanical Study of Cyclamen and Woody Plants – Chromolithograph (c. 1885)

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"Botanik XX". This botanical study illustrates various flowering plant species with a focus on their morphological characteristics and reproductive organs. The plate features a vertical spike of purple flowers, yellow composite blooms, and a thistle-like specimen, all accompanied by detailed anatomical dissections showing the internal structures of the seeds and floral parts. This work is a chromolithograph, a multi-colored printing process using separate stones for each hue to achieve a vibrant and naturalistic appearance. It was published in Vienna by S. Czeiger as part of a comprehensive natural history series intended for educational and scientific reference. Gustav von Hayek was an Austrian naturalist and educator known for his contributions to the documentation of flora and fauna in Central Europe. He served as a professor in Vienna and authored several significant textbooks and atlases that standardized botanical and zoological education during the late nineteenth century. Hayek collaborated with specialized printing houses like S. Czeiger to produce high-quality visual aids that combined scientific rigor with artistic clarity. His legacy remains centered on his efforts to make complex natural sciences accessible through meticulous and aesthetically refined illustrations. Artist or Maker: Gustav von Hayek. Dimensions: Approximately 42 cm x 29 cm. Medium: Chromolithograph. Date: (c. 1885). Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Gustav von Hayek (1836–1911) – Botanical Study of Flowering Plants – Chromolithograph (c. 1885)

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"Botanik XI". This work depicts the dramatic, large-scale flower of a night-blooming cactus, possibly Selenicereus or a related genus. The composition features a central white bloom with elongated, cream-colored outer petals and a vibrant red and yellow center containing a dense cluster of stamens. The background is rendered with a stylized green textured wash, contrasting with the pale petals. This chromolithograph was produced in Vienna by S. Czeiger and published by Verlag v. Alfred Hölder as part of a natural history atlas intended for high-level botanical education and reference. Gustav von Hayek was an Austrian naturalist and educator known for his contributions to the documentation of flora and fauna in Central Europe. He served as a professor in Vienna and authored several significant textbooks and atlases that standardized botanical and zoological education during the late nineteenth century. Hayek collaborated with specialized printing houses like S. Czeiger to produce high-quality visual aids that combined scientific rigor with artistic clarity. His legacy remains centered on his efforts to make complex natural sciences accessible through meticulous and aesthetically refined illustrations. Artist or Maker: Gustav von Hayek. Dimensions: Approximately 42 cm x 29 cm. Medium: Chromolithograph. Date: (c. 1885). Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.