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Fine Art. Antique Prints, Maps and Drawings / 28-02-2026, 18:00 CET

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A distinctive and influential American Art Nouveau poster advertising the Boston-based periodical Modern Art, which was edited by J. M. Bowles and published by L. Prang &amp; Co. The image features a stylized landscape centered in a yellow panel: a winding river reflects a sunset sky of gold and orange, framed by dark green hills and a prominent tree. This central motif is enclosed within a green border decorated with flat, highly stylized poppy seed-heads. The composition is notable for its emphasis on flat planes of color, bold lines, and decorative structure, which directly reflects Dow’s revolutionary design theory drawn from Japanese woodblock prints. The bold lettering of "MODERN ART" contrasts sharply with the soft landscape. This print is a reduced-format reproduction (Plate 36) from the prestigious French monthly portfolio Les Maîtres de l’Affiche (The Masters of the Poster), highlighting its significance in the international poster movement. Arthur Wesley Dow was a foundational American artist and educator, profoundly influential in the Arts and Crafts movement and a key figure in transitioning American art toward modernism. Having studied in Paris, Dow radically shifted his philosophy after encountering Japanese woodblock prints, becoming convinced that composition (the organization of line, color, and mass) should supersede the traditional Western emphasis on imitation of nature. His book, Composition: A Series of Exercises in Art Structure (1899), disseminated these ideas widely, influencing a generation of artists including Georgia O'Keeffe. Artist or Maker: Arthur Wesley Dow (1857-1922)&nbsp; Dimensions: Approximately 30 × 22 cm&nbsp; Medium: Lithograph&nbsp; Date: 1897 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Arthur Wesley Dow (1857-1922) – Modern Art – Lithograph (1897)

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A striking exhibition poster for Upptäck Andy Warhol! ("Discover Andy Warhol!") held at Moderna Museet in Stockholm from February 9 to May 4, 2008. The design features one of Warhol’s Polaroid-style portraits, rendered in a large vertical format that emphasizes his enduring presence in visual culture. The minimalist layout and use of retro-modern typography reflect both Scandinavian design sensibilities and the stark immediacy of Warhol’s late-career public image. This poster was produced specifically for the Stockholm exhibition and remains a rare collectible artifact from one of the most significant European retrospectives of the pop art icon. Andy Warhol (1928–1987) was a leading figure in the Pop Art movement. He is best known for his bold, colorful depictions of consumer goods and celebrities, such as the Campbell's Soup Cans and Marilyn Monroe series. Warhol blurred the lines between high art and mass culture, using techniques like silkscreen printing to emphasize repetition and commercialization. His studio, The Factory, became a hub for avant-garde artists, musicians, and socialites, making him a cultural icon of his time. Artist or Maker: Andy Warhol Dimensions: 101 cm x 70 cm Medium: Lithograph Date: 2008 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Andy Warhol (1928–1987) – Lithograph – Exhibition Poster from Moderna Museet

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This original edition of Derrière Le Miroir is devoted entirely to Gérard Titus-Carmel’s Suite Narwa, published by Maeght Éditeur in Paris in 1976. The unnumbered issue features a series of colour lithographs and printed reproductions reflecting Titus-Carmel’s intricate, conceptual works focused on fragile constructions, broken symmetry, and the poetic logic of collapse. His architectural and geometric motifs are rendered with exceptional graphic delicacy, combining the analytical with the ephemeral. The publication belongs to the renowned Derrière Le Miroir series, which showcased 20th-century masters through specially commissioned lithographs and essays, forming a cornerstone of postwar artist-publisher collaboration in France. Gérard Titus-Carmel (b. 1942) is a leading French painter and writer associated with lyrical abstraction and conceptual figuration. Gaining international recognition in the 1970s, his work is marked by series-based exploration of objects and their transformation, decay, and material presence. His visual practice is often accompanied by poetic and theoretical writings, reflecting his dual engagement with image and text. Titus-Carmel’s work has been exhibited widely and is represented in major museum collections across Europe. Artist or Maker: Gérard Titus-Carmel. Dimensions: 38 cm x 28 cm. Medium: Illustrated Art Booklet (Color Lithographs and Reproductions). Date: 1976 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Gérard Titus-Carmel – Suite Narwa – Derrière Le Miroir – Illustrated Booklet

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This original edition of Derrière Le Miroir, published in 1980 by Galerie Maeght, is dedicated to the work of German painter Konrad Klapheck. Known for his surreal depictions of typewriters, sewing machines, telephones and bicycles, Klapheck here presents a series of works that blur the line between objectivity and subconscious tension. The volume includes striking full-page illustrations in both colour and black and white. The text is presented in French, German, and English. The spine shows minor damage and there is light foxing present, but overall the book remains in fine collectible condition. Artist or Maker:Konrad Klapheck. Dimensions:28 cm x 38 cm. Medium:Offset-printed artist book with autograph. Date:1980 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Konrad Klapheck – Derrière Le Miroir: Klapheck – Illustrated Artist Book

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This colour lithograph, commonly known as "Goddess of Light," is a print of an advertisement for gas lighting, originally created as a poster. The work features a stylized female figure in a white dress, holding two lanterns against a striking red background. The poster, which advertises "Incandescence par le Gaz," is an iconic example of late 19th-century Art Nouveau design. This particular print is from the renowned art publication Les Maîtres de l'Affiche, which reproduced key works by prominent poster artists. Maurice Réalier-Dumas was a French painter, lithographer, and illustrator. He was a significant figure in the Art Nouveau movement and created a number of notable posters and advertisements for various clients. His work is characterized by its bold use of colour, elegant lines, and the stylized depiction of figures, which captured the aesthetic spirit of the Belle Époque and remains influential in the history of graphic design. Artist or Maker:Maurice Réalier-Dumas Dimensions:Approximately 26 × 20 cm Medium:Colour lithograph Date:1897 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Maurice Réalier-Dumas (1860–1928) – Goddess of Light – Colour lithograph (1897)

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This colour lithograph is a print of a famous travel poster advertising rail excursions to Normandy and Brittany, France. The poster, which was originally commissioned by the Western Railways of France, features a man pointing towards coastal landmarks, including Mont Saint-Michel and the island of Jersey. This particular print is from the renowned late 19th-century art publication Les Maîtres de l'Affiche, which reproduced key works by prominent poster artists of the era. Lucien Meunier was a French painter and illustrator. He was known for his contributions to the world of posters and commercial art during the Belle Époque. His work often depicted travel destinations and leisure activities, characterized by a lively and narrative style that was well-suited for advertising. Meunier's art captures the spirit of the late 19th-century travel boom and remains a representative example of the period's poster art. Artist or Maker:Lucien Meunier Dimensions:Approximately 26 × 20 cm Medium:Colour lithograph Date:Circa 1897 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Lucien Meunier (1852–1925) – Normandy & Brittany – Colour lithograph (Circa 1897)

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This original lithograph by Arman Fernandez features an abstract composition characterized by overlapping linear forms and gestural splashes in earthy tones. The print is hand-signed by the artist and numbered, indicating its limited edition nature. Arman, a French-American artist associated with Nouveau Réalisme, was renowned for his exploration of accumulation, destruction, and transformation of objects in both painting and sculpture. This work reflects his dynamic visual language and experimental approach to printmaking during the mid-20th century. Artist or Maker:Arman Fernandez Dimensions:65 cm x 48 cm Medium:Lithograph on paper Date:Mid 20th Century Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Arman Fernandez – Abstract Composition – Signed and Numbered Lithograph

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”Street Improvements 1 (D-Dog)” Silkscreen on paper, limited edition of 150 exemplars, hand signed and numbered 26/150. Dean Stockton, known as DFace, creates provocative artworks spanning paintings, prints, sculptures, and murals that critique mainstream consumerism and the American dream using a Pop aesthetic. Influenced by New York's graffiti and skateboard cultures, his pieces often reinterpret iconic figures like Mickey Mouse and Kurt Cobain with symbols of mortality and excess. DFace's exhibitions span major cities worldwide, and he has collaborated with brands such as Haig Club, Triumph Motorcycles, and Uniqlo. Artist of MakerDean Stockton MediumColour giclée Date2008 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

D*Face aka Dean Stockton - Street Improvements 1 (D-Dog) - Limited Edition

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This original lithograph in colors by Bengt Lindström originates from a limited edition of 200, hand-signed and numbered by the artist. The print was published in Paris in the 1970s. Bengt Lindström (1925-2008) was a Swedish painter known for his large, vibrant, and expressive works that often featured mythological and human figures rendered in bold, vivid colours. Lindström's style is characterised by its raw, powerful expressionism, drawing inspiration from his Nordic heritage and incorporating elements of folk art and ancient mythology. Artist or Maker:Bengt Lindström. Dimensions:76 cm x 57 cm. Medium:Lithography. Date:circa 1975–1985. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Bengt Lindström (1925-2008) - Lithograph - Hand-signed - Numbered - 151/200

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This offset print, titled Floral Tribute, is a late work by the artist Marc Chagall. The print depicts a central figure holding a large bouquet of flowers, flanked by two other figures, with a crescent moon and abstract forms in the background. The work features Chagall's characteristic use of vibrant colors, dynamic lines, and motifs such as celestial elements and bouquets. Marc Chagall was a Russian-French artist. He was a pioneer of modern art and a key figure in the development of Symbolism and Expressionism. His work spans a wide range of mediums, including painting, drawing, lithography, and stained glass. His art often explores themes of love, memory, and spiritual life, using a unique, dreamlike visual language. Artist or Maker: Marc Chagall. Dimensions: Approximately 32 × 25 cm. Medium: offset print. Date: 20th century. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Marc Chagall (1887–1985),after – Floral Tribute – offset print (20th century)

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This offset print, titled Intimacy, is a quintessential example of Marc Chagall's dreamlike and surrealist style. The composition features a central figure of a woman with vibrant blue hair, holding a small child, set against a background of whimsical figures, a friendly goat, and a small blue house. The work's floating forms, vibrant colour palette, and mix of human and animal imagery create a narrative that speaks to themes of love, memory, and spiritual connection. Marc Chagall was a Belarusian-French artist who became one of the most significant and influential modernists of the 20th century. His work is celebrated for its unique blend of Cubism, Symbolism, and Surrealism, creating a distinctive style characterized by vibrant colours, dreamlike imagery, and a strong sense of narrative. His art often explored themes of love, memory, and the spiritual, drawing heavily from his childhood in a Jewish community in Belarus. Artist or Maker:Marc Chagall,after Dimensions:Approximately 26 × 20 cm Medium: offset print. Date: 20th century. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Marc Chagall (1887–1985),after – Intimacy  – offset print (20th century)

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This offset print depicts a whimsical still life with a house of cards and a pendulum clock on a table, set against a striped green background. The composition, titled "Château de cartes" (House of Cards), uses bold, dark lines and a flat, graphic style, which are hallmarks of Buffet's distinctive aesthetic. The presence of the clock and the precarious house of cards evokes themes of the fragility of existence and the relentless passage of time, a common motif in his later work. Bernard Buffet was a highly prolific and celebrated French painter, printmaker, and illustrator. He became a prominent figure in the post-war art scene, known for his unique style characterized by angular lines, a limited and somber color palette, and expressive figurative subjects. He rose to international fame in the mid-20th century and was a master of his craft, producing a vast body of work that included portraits, still lifes, and landscapes. Artist or Maker:Bernard Buffet Dimensions:Approximately 26 × 20 cm Medium: offset print. Date: 20th century. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Bernard Buffet (1928–1999),after – Château de cartes (House of Cards)

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DLM published in April 1966 for the exhibition of 254 works in homage to the Revue Blanche at the Galerie Maeght. Text by Annette Vaillant and Jacques Salomon. 48 unbound pages. 3 colour lithographic reproductions after Bonnard, Roussel, and Vuillard. 8 black lithographic reproductions after Toulouse-Lautrec, Vuillard, Bonnard, Seurat, and others. Original print run. Artist or Maker:Pierre Bonnard Dimensions:38 cm x 28 cm Medium:Offset Print, Illustrated Album Date:1894 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Pierre Bonnard  – La Revue Blanche – Complete Portfolio – Offset Print

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Framed etching ”Summer" by Anders Zorn, signed and dated in the plate Zorn 1907. Asplund 211. H&amp;H 248. ZG 211. From "Ord och Bild" 1910.&nbsp; Anders Zorn (1860-1920) was a Swedish painter and etcher known for his portraits, nudes, and depictions of water. He was one of Sweden's most famous artists and achieved international success during his lifetime. Artist of MakerAnders Zorn MediumEtching Date1910 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Anders Zorn (1860-1920) - Framed Etching ”Summer" signed in plate

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This striking original lithograph in vivid red tones was created for Derrière le Miroir No. 237, dedicated to the work of French painter and sculptor Garache. Published in 1979 by the legendary Maeght Éditeur, this edition explores Garache’s fascination with the human form, particularly the female figure rendered in expressive, almost abstract gestures. The work exemplifies the artist's bold use of color and minimal form to convey emotion and sensuality. Printed by Arte, Paris, and issued for Galerie Maeght, this publication continued the tradition of pairing avant-garde artists with high-quality printmaking, as seen in other Derrière le Miroir collaborations. Artist or Maker: Garache Dimensions: Approx. 38 cm x 56 cm Medium: Original Lithograph on Wove Paper Date: 1979 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Alechinsky Garache – Derrière le Miroir No. 237 – Original Lithograph – 1979

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This dynamic untitled lithograph by Jean René Bazaine was created for Derrière le Miroir No. 211, published in 1974 by Maeght Éditeur. The composition bursts with gestural red strokes and splatters that convey pure energy and emotion, exemplifying Bazaine’s approach to lyrical abstraction. His use of explosive color and free-form brushwork connects with both the spiritual and the elemental. Bazaine (1904–2001) was a pivotal figure in post-war French painting, bridging abstract and symbolic art. He was closely associated with other major figures of the École de Paris and played a significant role in the revival of sacred art in France. His collaborations with Maeght and contributions to Derrière le Miroir reflect his deep engagement with the avant-garde publishing and exhibition culture of the time. Artist or Maker: Jean René Bazaine Dimensions: Approx. 38 cm x 28 cm Medium: Original Lithograph on Wove Paper Date: 1974 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

 Jean René Bazaine – Untitled – Lithograph from Derrière le Miroir – 1974

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This color lithograph is from the series Les Maîtres de l'Affiche (The Masters of the Poster), which was published by Imprimerie Chaix in Paris, France. The poster advertises a performance by the famous French singer and actress Yvette Guilbert at the Scala music hall. The print is a classic example of Belle Époque poster art, known for its elegant style and the portrayal of its subject. Ferdinand Bac was a French cartoonist, illustrator, and writer. He was a prominent figure in the Parisian art scene of the late 19th century, known for his witty caricatures and elegant, Art Nouveau-inspired posters and illustrations. His work is a key visual record of the society and entertainment of the Belle Époque. Artist or Maker: Ferdinand Bac. Dimensions: Approximately 38 × 28 cm. Medium: Color lithograph. Date: 1894. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Ferdinand Bac (1859–1952) – Scala, Yvette Guilbert – Color lithograph (1894)

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This hand-colored engraving depicts a highly ornate reliquary, a container used to hold and display religious relics, designed in the style of the late 15th century and featuring complex gold work, enamel, and glass components. The print originates from Henry Shaw's detailed study of medieval decorative arts. Henry Shaw was a distinguished British architectural draughtsman and antiquary, celebrated for his meticulous illustrations that revived interest in medieval design during the Victorian era. Artist or Maker: Henry Shaw. Dimensions: Approximately 27 cm x 19 cm. Medium: Hand-colored engraving. Date: c. 1851. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Henry Shaw (1800–1873) – A Reliquary – Hand-colored engraving (c. 1851)

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This lithograph is from the famous French series Les Maîtres de l'Affiche (The Masters of the Poster). It was issued as a special plate for subscribers. The print depicts a figure in a harlequin costume from the back, a common subject in late 19th-century French art. It is a work created for the series published by Imprimerie Chaix in Paris, France. Henri Boutet was a French illustrator, engraver, and artist. He was known for his elegant and detailed depictions of Parisian life and fashion during the Belle Époque. He created numerous prints and illustrations for magazines and various publications. Artist or Maker: Henri Boutet. Dimensions: Approximately 38 × 28 cm. Medium: Lithograph. Date: Circa 1895-1900. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Henri Boutet (1851–1919) – Harlequin – Lithograph (c. 1895-1900)

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Collotype "Sitzende Frau" (Sitting Frau) by Gustav Klimt, after. Gustav Klimt (1862-1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. He is best known for his paintings, murals, sketches, and other artworks, especially "The Kiss" and "Portrait of Adele Bloch-Bauer I." Artist of MakerGustav Klimt Dimensions51 x 32 cm MediumCollotype printed in red Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Gustav Klimt (1862-1918) - Collotype Sitzende Frau (Sitting Frau)

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Gustav Klimt (1862-1918) after - Collotype printed in red "Sitzende Frau" (Sitting Frau)

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A richly illustrated historical and topographical chronicle of the ecclesiastical and monastic institutions of Brabant. Chorographia Sacra Brabantiae, compiled by the Flemish historian Antonius Sanderus, documents prominent churches, abbeys, and religious sites through extensive Latin text and numerous engraved views. The work includes over 100 full-page copperplate engravings, each depicting an important architectural landmark from the Southern Netherlands during the Spanish period. Condition ReportBound in full leather with spine decorations, the book shows light wear but is overall well-preserved. Plates remain crisp and clean, though a few exhibit minor foxing. Artist or Maker: Antonius Sanderus Dimensions:37 cm x 25 cm Medium: Printed book with copperplate engravings Date: c.1659

Antonius Sanderus (1586–1664) – Chorographia Sacra Brabantiae – Printed Book with Copperplate Engravings (c.1659)

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A major early 17th-century compilation of classical Roman military treatises, including De Re Militari by Flavius Vegetius Renatus, Strategemata by Frontinus, and additional military works by various ancient authors. This edition, published in 1607, was prepared by Dutch humanist Petrus Scriverius and enriched with commentary by Godfried Stewechius and Franciscus Modius. The volume includes 47 impressive woodcuts depicting Roman siege machines, formations, coins, and tactical diagrams. Printed in Latin, the book is a vital source for the study of ancient military science during the Renaissance. Condition ReportBound in contemporary limp vellum with handwritten spine title. The binding is worn with some soiling; text pages show minor foxing, consistent with the book’s age, but it remains in good condition overall. Artist or Maker:Flavius Vegetius Renatus Dimensions:21 cm x 16 cm Medium:Printed book with woodcut illustrations Date:1607 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.