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Fine Art. Antique Prints, Maps and Drawings / 20-12-2025, 18:00 CET

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This hand-colored map provides a detailed cartographic representation of the Duchy of Brabant, a historic core region of the Low Countries. The work illustrates the complex topography of the area, featuring the major cities of Brussels, Antwerp, Louvain, and Bois-le-Duc, alongside a dense network of smaller towns, waterways, and wooded areas. The map is oriented with West at the top and includes a highly decorative title cartouche in the lower-left corner supported by cherubs and floral garlands. In the upper-right corner, the coat of arms for Brabant, featuring a golden lion on a black field, is prominently displayed.&nbsp; Johannes Janssonius was a preeminent Dutch cartographer and publisher based in Amsterdam during the Dutch Golden Age. After marrying the daughter of Jodocus Hondius, he became a partner in the family’s publishing house and eventually took over its operations, significantly expanding the Mercator-Hondius atlas tradition. His most ambitious project was the "Atlas Novus," which grew to include several volumes covering land maps, maritime charts, and celestial observations. Janssonius’s work is celebrated for its technical precision, artistic ornamentation, and high production values, which helped establish Amsterdam as the premier global center for cartography in the 17th century. Artist or Maker:Johannes Janssonius. Dimensions:Approximately 48 cm x 57 cm. Medium:Copperplate engraving. Date:17th Century. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Johannes Janssonius (1588–1664) – Map of the Duchy of Brabant (Brabantiae Ducatus Tabula) – Copperplate engraving (17th Century)

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This hand-colored map depicts the southern Balkan Peninsula, including the historical regions of Macedonia, Epirus, and Achaia in ancient Greece. The topography illustrates mountainous terrain, major river systems, and the intricate coastlines of the Ionian and Aegean Seas, with numerous islands such as Corfu and Cephalonia clearly marked. The work identifies significant ancient and contemporary cities, including Thessaloniki and Larisa, reflecting the 17th-century European fascination with classical geography.&nbsp; Johannes Janssonius was a preeminent Dutch cartographer and publisher based in Amsterdam, who became a central figure in the expansion of the Mercator-Hondius atlas tradition. After marrying into the Hondius family, he eventually led the firm and produced the monumental "Atlas Novus" and "Atlas Major," which were among the most ambitious publishing projects of the 17th century. His work is celebrated for its technical precision, artistic ornamentation, and the integration of contemporary geographical knowledge with historical data. Janssonius's maps were highly influential and distributed widely throughout Europe, solidifying Amsterdam's status as the global center of map production during the Dutch Golden Age. Artist or Maker:Johannes Janssonius. Dimensions:Approximately 48 cm x 57 cm. Medium:Copperplate engraving. Date:17th Century. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Johannes Janssonius (1588–1664) – Map of Macedonia, Epirus, and Achaia (Macedonia, Epirus et Achaia) – Copperplate engraving (17th Century)

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This detailed plate provides a comprehensive visual catalog of 18th-century hunting equipment and firearms. The composition features various types of rifles, including a Karren Büchse (cart-mounted rifle) on a wheeled carriage, a Bürsch Büchse (stalking rifle), and a Schrot Büchse (shotgun). This work reflects the systematic documentation of sporting culture and military technology characteristic of the artist's prolific output. Johann Elias Ridinger was a celebrated German painter, engraver, and draughtsman, widely regarded as one of the most significant animal and hunting artists of the 18th century. Born in Ulm and active in Augsburg, he founded his own publishing house to disseminate his vast collection of prints. Ridinger was renowned for his technical mastery and anatomical accuracy in depicting horses, hounds, and wildlife, as well as his detailed records of contemporary hunting practices and equestrian equipment. His work achieved immense popularity across Europe, serving as both artistic masterpieces and essential reference guides for the nobility and sporting enthusiasts of the Enlightenment era. Artist or Maker: Johann Elias Ridinger Dimensions: Approximately 40 cm x 33 cm Medium: Copperplate engraving Date: 18th Century Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Johann Elias Ridinger (1698–1767) – Study of Hunting Weapons and Equipment – Copperplate engraving (18th Century)

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This dramatic Mannerist engraving depicts the hermit Peter Celestine (Saint Celestine V) kneeling in prayer before his burning woodland hut. The scene illustrates a spiritual trial where the hermit's dwelling is engulfed in flames, with winged demonic figures visible within the thick billowing smoke. To the left, a companion monk or attendant attempts to flee the inferno carrying a basket, while another figure on the right approaches with a vessel, possibly attempting to douse the fire. The foreground is scattered with the hermit's few worldly possessions, including books, a staff, and bowls. The composition utilizes deep chiaroscuro and fine linear detail to emphasize the intensity of the divine test and the hermit's steadfast devotion. Four lines of Latin verse at the bottom reflect on how prayer and the cross are more powerful than the fury of flames. Johannes Sadeler I was a preeminent Flemish engraver and member of the celebrated Sadeler family of artists who dominated the European print market during the late 16th century. Born in Brussels, he became a master in the Antwerp Guild of Saint Luke before traveling extensively through Germany and Italy, eventually settling in Venice. Sadeler was renowned for his technical virtuosity and his role as a court engraver to the Dukes of Bavaria, where he specialized in religious subjects and allegories based on designs by contemporary masters like Marten de Vos. His prolific output played a crucial role in disseminating the artistic styles of the Northern Renaissance and early Mannerism throughout Europe, influencing generations of graphic artists. Artist or Maker: Johannes Sadeler I Dimensions: Approximately 23 cm x 29 cm Medium: Copperplate engraving Date: 16th Century Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Johannes Sadeler I (1550–1600) – The Hermit Peter Celestine Resisting Temptation – Copperplate engraving (16th Century)

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This detailed Mannerist engraving depicts the hermit Bruno kneeling in prayer within a rugged, rock-hewn shelter. The saint is shown in a monastic habit, his hands clasped in deep devotion before a small altar holding a crucifix, a statue of the Virgin and Child, and an open devotional book. The interior of the cave is meticulously rendered, featuring a jagged stone roof and scattered religious objects on the floor. In the background, a sprawling mountainous landscape unfolds, dotted with a small church and several rustic woodland huts, symbolizing the Carthusian community's remote dwellings. The composition utilizes a sophisticated perspective and fine cross-hatching to emphasize the solitude and spiritual rigor of the eremitic life.&nbsp; Johannes Sadeler I was a preeminent Flemish engraver and a key member of the Sadeler family, who established one of the most successful print-publishing houses in 16th-century Europe. After training in Brussels and Antwerp, Sadeler traveled extensively through Germany and Italy, eventually settling in Venice. He was renowned for his technical virtuosity and his role as a court engraver, specializing in religious subjects and allegories based on designs by contemporary masters like Marten de Vos. His prolific output played a crucial role in disseminating the artistic styles of the Northern Renaissance and Mannerism, particularly through his celebrated series documenting the lives of desert fathers and forest hermits. Artist or Maker: Johannes Sadeler I Dimensions: Approximately 23 cm x 29 cm Medium: Copperplate engraving Date: 16th Century Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Johannes Sadeler I (1550–1600) – The Hermit Bruno in Prayer – Copperplate engraving (16th Century)

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This Mannerist engraving depicts the hermit Jacobus kneeling in deep contemplation within a dark, rocky grotto. The saint is shown with a long, white beard and expressive hands, leaning over a stone ledge where a partial human skeleton lies in an open wooden coffin. This juxtaposition of the living hermit and the skeletal remains serves as a stark memento mori, a traditional reminder of mortality and the transience of life. The surrounding cave is overgrown with dense foliage and gnarled tree roots, while a sprawling mountainous landscape featuring a fortified town is visible through the cave's entrance in the background.&nbsp; Johannes Sadeler I was a preeminent Flemish engraver and a key member of the Sadeler family, who established one of the most successful print-publishing houses in 16th-century Europe. After training in Brussels and Antwerp, Sadeler traveled extensively through Germany and Italy, eventually settling in Venice. He was renowned for his technical virtuosity and his role as a court engraver, specializing in religious subjects and allegories based on designs by contemporary masters like Marten de Vos. His prolific output played a crucial role in disseminating the artistic styles of the Northern Renaissance and Mannerism, particularly through his celebrated series documenting the lives of desert fathers and forest hermits. Artist or Maker: Johannes Sadeler I Dimensions: Approximately 23 cm x 29 cm Medium: Copperplate engraving Date: 16th Century Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Johannes Sadeler I (1550–1600) – The Hermit Jacobus in a Cave – Copperplate engraving (16th Century)

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This double portrait depicts two of the most significant figures in the history of cartography, Gerardus Mercator and Jodocus Hondius. The two men are shown seated at a table covered in green cloth, surrounded by the tools of their trade, including globes, dividers, and open atlases. Mercator, on the left, is portrayed as an elder scholar with a long white beard, while the younger Hondius appears on the right. Between them, a small map of the world in two hemispheres is visible. The scene is framed by an elaborate architectural border featuring an armillary sphere, celestial globes, and strapwork ornamentation.&nbsp; Colette van den Keere was a skilled Flemish engraver active in Amsterdam during the Dutch Golden Age. She was the sister of the famous engraver Pieter van den Keere and the wife of Jodocus Hondius. Following the death of her husband in 1612, she played a vital role in maintaining the family's prestigious map-publishing business. This specific engraving was created for the 1613 edition of the Mercator-Hondius Atlas, serving as a commemorative tribute to the partnership that established the standard for world atlases. Her work is recognized for its fine detail and its importance in documenting the likenesses of these preeminent cartographers for future generations. Artist or Maker:Colette van den Keere. Dimensions:Approximately 48 cm x 57 cm. Medium:Copperplate engraving. Date:1613. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Colette van den Keere (1571–1629) – Portrait of Gerardus Mercator and Jodocus Hondius – Copperplate engraving (1613)

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This topographical illustration provides a panoramic view of the ruins of the Palatine Hill in Rome, featuring the remains of the Palace of Augustus and the Circus Maximus. The upper portion of the print depicts the monumental arches and vaulted structures of the ancient imperial residence, while the lower section shows the flat, cultivated area of the former circus. The composition is populated with small figures engaged in various activities, and the architecture is identified with alphabetical keys that correspond to the extensive Latin and Italian text block at the bottom, which provides historical and architectural context for the site. Giacomo Lauro was an influential Italian engraver and printer active in Rome during the late 16th and early 17th centuries. He is most renowned for his monumental series, Antiquae Urbis Splendor, which aimed to reconstruct the grandeur of ancient Rome through detailed engravings of its most significant monuments and ruins. Lauro's work was instrumental in documenting the state of Roman antiquities during his lifetime and served as a crucial visual resource for European scholars, architects, and travelers during the development of classical archaeology and the Grand Tour. Artist or Maker:Giacomo Lauro Dimensions:Approximately 30 cm x 21 cm Medium:Engraving Date:1612–1641 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Giacomo Lauro (1550–1605) – View of the Palatine Hill and the Palace of Augustus – Engraving (1612–1641)

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This ethnographic engraving illustrates a collection of artifacts from the Sandwich Islands (modern-day Hawaii), as documented during Captain James Cook’s third voyage.The work is characterized by the precise linear detail used to document the textures of wood, feathers, and woven fibers.&nbsp; John Webber was the official artist on Captain Cook's third and final Pacific voyage (1776–1780). His primary responsibility was to provide a visual record of the people, landscapes, and artifacts encountered by the expedition. His drawings, which were later engraved for the official account of the voyage, were the first images of Hawaii and other Pacific islands ever seen by the European public. Webber’s work remains an invaluable primary source for anthropologists and historians, capturing the material culture of Pacific societies at the moment of first contact with the West. Artist or Maker: John Webber&nbsp; Dimensions: Approximately 51 cm x 31 cm Medium: Copperplate engraving Date: 18th Century (c. 1784) Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

John Webber (1751–1793) – Various Articles at the Sandwich Islands – Copperplate engraving (18th Century)

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This hand-colored engraving depicts a striking specimen of the Arum genus, likely Arum triphyllum (Jack-in-the-Pulpit). The illustration prominently features the plant's distinctive spathe, which is elegantly striped in deep purple and white, curving over the central spadix. Two large, vibrant green trifoliate leaves with prominent veining frame the flowering structure, while the mottled stem rises from a sheath at the base. This plate was published by William Curtis for the Botanical Magazine, a pioneering serial publication renowned for its high-quality botanical art and scientific accuracy. William Curtis was an English botanist and entomologist best known for founding the influential publication The Botanical Magazine, which featured high-quality hand-colored illustrations of exotic and familiar plants. Though he died in 1799, the magazine continued under his name and influence for many years. Artist or Maker:William Curtis Dimensions:Approximately 23 cm x 14 cm Medium:Hand-colored engraving Date:1806 Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

William Curtis (1746–1799) – Botanical Illustration of the Arum – Hand-colored engraving (1806)


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This detailed chromolithograph illustrates a traditional Southeast Asian wayang figure, depicting the deity Indra in a celestial chariot among the clouds. The central figure is shown standing in an ornate, wheeled chariot featuring a serpentine prow, drawn by a mythical beast. Surrounding the main carriage are smaller winged deities or celestial attendants in flight, all rendered in vibrant greens, oranges, and golds against a soft blue and grey cloudy sky. The work includes traditional Thai or Javanese script on the left margin, identifying the mythological scene. Published as a plate for the Internationales Archiv für Ethnographie, this illustration serves as a visual documentation of the iconography and artistic styles used in traditional theater and religious art from the region. Pieter Willem Marinus Trap was a prominent Dutch lithographer and publisher based in Leiden, recognized for his high-quality scientific and ethnographical illustrations. His firm, P.W.M. Trap specialized in chromolithography, a complex process that allowed for the precise and colorful reproduction of cultural artifacts and social scenes. Trap worked closely with academic institutions and journals, such as the Internationales Archiv für Ethnographie, to disseminate geographical and cultural knowledge through detailed visual records. His technical skill ensured that the intricate patterns and specific colors of non-European art forms were accurately preserved for scholarly study in the late 19th century. Artist or Maker:Pieter Willem Marinus Trap. Dimensions:Approximately 30 cm x 25 cm. Medium:Chromolithograph. Date:1894. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Pieter Willem Marinus Trap (1821–1905) – Wayang Figure of God Indra in a Chariot – Chromolithograph (1894)

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This ethnographic plate contains three distinct illustrations depicting Japanese cultural and historical scenes from the late 19th century. The plate was published for the Internationales Archiv für Ethnographie to document the social hierarchies and traditional attire of Japan for a European scholarly audience. Pieter Willem Marinus Trap was a prominent Dutch lithographer and publisher based in Leiden, recognized for his high-quality scientific and ethnographical illustrations. His firm, P.W.M. Trap specialized in chromolithography, a complex process that allowed for the precise and colorful reproduction of cultural artifacts and social scenes. Trap worked closely with academic institutions and journals, such as the Internationales Archiv für Ethnographie, to disseminate geographical and cultural knowledge through detailed visual records. His technical skill ensured that the intricate patterns and specific colors of non-European art forms were accurately preserved for scholarly study during the height of European ethnographic exploration. Artist or Maker:Pieter Willem Marinus Trap. Dimensions:Approximately 30 cm x 25 cm. Medium:Chromolithograph. Date:1891. Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Pieter Willem Marinus Trap (1821–1905) – Japanese Ethnographic Study of Samurai and Ceremonial Scenes – Chromolithograph (1891)

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This atmospheric architectural etching presents a detailed view of the Notre-Dame Cathedral in Paris, captured from the banks of the Seine. The composition highlights the monumental Gothic structure, focusing on the intricate flying buttresses, the soaring central spire, and the massive twin towers of the western facade. In the foreground, a stone bridge with multiple arches spans the river, where small figures and a boat are visible, providing a sense of scale to the cathedral's immense proportions. The work utilizes fine linear hatching and dramatic tonal contrasts to define the weathered textures of the stone and the play of light across the architectural details, characteristic of the French etching revival. Lucien Gautier was a prominent French etcher and draughtsman known for his mastery of topographical and architectural subjects. He specialized in capturing the historic monuments and urban landscapes of Paris, Marseilles, and various Italian cities. Gautier’s work is celebrated for its technical precision and its ability to convey the grandeur and historical weight of France's architectural heritage. His prints were highly popular during the late 19th century, serving as both artistic expressions and important visual records of the city's evolving landscape before and after the major urban renovations of the era. Artist or Maker: Lucien Gautier Dimensions: Approximately 68 cm x 51 cm Medium: Etching Date: 19th Century Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.

Lucien Gautier (1850–1925) – Notre-Dame de Paris – Etching (19th Century)

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This intimate graphic work depicts a seated female figure, rendered with the delicate and expressive line work characteristic of the artist's private drawings. The subject is portrayed wearing a high-collared garment with voluminous, flowing sleeves that cascade around her form. Her face is indicated with minimal, fine lines, capturing a quiet and contemplative expression. The composition focuses on the rhythmic contours of the drapery and the graceful posture of the figure, utilizing the negative space of the warm-toned paper to emphasize the lightness of the touch.&nbsp; Gustav Klimt was the leading figure of the Vienna Secession and a master of the Symbolist movement. While internationally renowned for his golden, mosaic-like paintings, Klimt was also an extraordinarily prolific and skilled draughtsman who used drawing as a primary means of exploring the female form and human emotion. His drawings are celebrated for their modern sensibility, psychological depth, and mastery of the continuous line. These graphic studies provide a vital window into Klimt's artistic process and his ability to convey elegance and sensuality through simplified, elegant forms, securing his legacy as one of the most important artists of the early modern era. Artist or Maker: Gustav Klimt Dimensions: Approximately 49 cm x 42 cm Medium: Lithograph Date: 20th Century Condition Report:This work is in good condition overall. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the images carefully for condition details, and feel free to contact us with any questions or for a comprehensive condition report.